Misha Aranyshev
Forum Replies Created
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[Michael Gissing] “but 25 fps telecined footage should be edited in an FCP timeline that matches this frame rate. “
No, unless it is MOS and intended for TV, it shouldn’t. Film shot at 24 fps and transferred at 25 fps should be conformed back to 24 fps before editing with FCP Tools>Conform 25 to 24.
[Renjith sarangadharan] “My ques is
1. while on a 24@ 25 pull down play what is the frame speed am seeing in the Canvas of my project (24fps or 25fps)
2. Only the out put to TV changes to 25 or my entire project fps changes?
“Nothing changes on the timeline. An extra field is added every 12 frames on the output.
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Right, but how do you burn in the Nick Show LUT in Compressor? Isn’t it a FCP plugin?
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Telling a story requires good memory, attention to detail and the ability to plan ahead. Being a good assistant editors requires the same qualities. If your Final Cut project is 300 mb of a mess your cut is a mess too. Both creative and technical take root in the same basic human qualities and branch out at rather high level.
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[Shane Ross] “Exactly. The more people who jump in without knowing what they are doing, the more work I get to fix it…and then to work with that client again.”
Same here
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You can also Shift-X. That will cut and ripple.
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Sorry, you can’t do it in one step as far as I know and it involves dragging. Command-U will put a marked section to the Browser as a sequence but there is no shortcut to open a sequence in the Viewer – you have to drag. It won’t ripple delete for you too.
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Guess what? Dial your patronizing tone down a bit, Walter. There used to be times companies actually researched what works in a GUI and what doesn’t and they came up with some pretty objective criteria. The GUI of any current grading software doesn’t make sense because it breaks too many rules. Not because it is targeted only to the most enlightened ones.
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The only part of FCS I’d consider integrating into Final Cut Pro is Cinema Tools. Regarding interface redesign the obvious candidate is Color. The GUI of every grading app on the market – Discreet Lustre, Nucoda Film Master, IRIDAS Speed Grade, Baselight, Resolve is pure abomination. But they used to cost your kidney and olor was cheap. Now the big boys come down in price. To compete Color has to be faster and the big part of the speed is the efficiency of the interface.
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I’ll repeat myself:
“Dear Blackmagic Design, please stick a couple of Nvidia chips inside a Multibridge!”
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Try importing ALE directly in FCP. It is in Import>Cinema Tools Telecine Log…