Mike Gurfield
3
Premiere Pro Coins
Forum Replies Created
-
I don’t remember exactly, that was quite a ways ago. But I would suggest duplicating the project, and “replace footage” with the footage on whatever drive it’s on, rather than relinking. That *should* do it.
-
Sadly, no. Essentially I’ve either had to turn the gain to a relatively safe guess and hope, or record in a separate DAW.
Maybe it’s fixed in 2019, but I’m not gonna upgrade on the dot oh release.
-
Still hoping someone can figure out my leveling mystery… Any hints?
-
Thanks Jamie-
What I ended up doing was deleting EVERY cross-fade in the audio of the entire film. Audio post would be redoing these anyways, as fades will be shown cuts on the AAF to begin with. Lo and behold, it somehow worked… for now.
I’ve also read that I could “edit in adobe audition” and export from there, although that is a whole can of worms that doesn’t seem to be working very well for me either.
OMF… very old school, but will be my last resort.
At least Adobe is AWARE of the issue…
Mike
-
Tero-
Totally get what you’re saying. However, my AAF export is exporting complete clips, no handles needed. Not rendering transitions or effects (they’re all unsupported by AAF anyways). So even if there was a transition that didn’t have enough head or tail (unlikely, as I’d be seeing it in my timeline), it SHOULDN’T matter for this export… Have read about other users getting this error specifically for AAF export, but nobody seems to have a solution…
-
I can get the three submixes to export to a stereo mix no problem. But what I’m in need of is actually routing each submix to it’s own stereo channel within a WAV. So even though my submixes are routed correctly, when I go to export, I don’t have an option to export just the submixes. I can only export Mono, Stereo (aka the Master channel which is just a mix-down), 5.1, and then each track up, but not the submixes.
Perhaps I’m missing the step where you say, “route the sub mixes to the proper multi track Master tracks and you will get the three sub mixes when you export. ” As far as I can tell, there is only one Master track on a sequence, be it multitrack or not. And that Master is just a stereo mix-down of everything, be it submixes (buses in a DAW), or just tracks of audio. If there’s a way to route a submix to a specific master track, and have more than one master track at a time, I certainly don’t know how to do that. If it’s possible, can you walk me through?
-
Dave-
Yes that’s true. But in that scenario, I’d have to export three different WAV files to get the specified submixes all on discreet stereo channels, re-import, and then export from a new sequence just the three WAV files. There must be a way to have Premiere just export the submixes, right?
Mike
-
Gotcha. Since it’s a multitrack sequence in premiere, for whatever reason, it’s reading it ALL as one clip in Audition, so even when I create a new multitrack session, the entire thing wants to all go into one track. Additionally, my submixes did not transfer over, and to create buses in the Audition project, I’d need to have separation on the audio channels… Will I really have to send each track separately to Audition for it to understand this correctly?
-
So you’re saying there’s not a way to do it in Premiere proper? How do I export just the submixes in Audition then?
-
Sorry for all the lack of info. Brain was fried after a long day and frustration.
Yes Premiere Pro CC latest version. I’m trying to sync with audio, as the time code is for some reason inconsistent across the clips even though time code was sent on set (some clips match, most do not). Synchronize with audio worked fine on the first few clips, synching to audio on track 2 (track one of the camera audio is blank, track two is camera audio, then I have 5-channel audio 1 I’m attempting to sync). Then I randomly started getting that error I posted. I resorted to manually syncing the audio, which takes forever. I managed to find some success late in the night using a similar audio sync, but changing the drop-down from “track 2” to “mix down”. For some reason, it was able to sync with no issues there for the last 10 or so clips, as I had already powered through the rest. Can’t say if that is a real fix of not, as my original workflow worked for a few clips at the outset as well…
Trashing prefs and and media cache had no effect, but everything is at least in order now…
I’m curious why you think normalizing would help. And would you think normalizing both clips would be the right workflow? Theoretically, these clips should just sync without issues, as the audio is good and clean, all has been marked with a clear clap stick. But se la vie…