Michael Vitacco
Forum Replies Created
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Was planning on simply importing the prores files into MC. But I’m all ears as to how to do this the correct way. I’m a sound designer and just learning. media management and codecs etc. is, i feel, the most difficult thing i’ve had to deal with thus far. totally different beast. that said, speak as if you’re teaching a middle schooler 😉
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I may try to export an OMF (which seems to work properly), import into Pro Tools, THEN export an AAF from Pro Tools. Not the most common of workarounds but I’ll keep any of you posted as to how it works out. Otherwise, please send any advice. Thanks!
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This thread has been very useful. Thanks you guys. I’m a newbie and have a remedial question regarding this somewhat. I’ve using ProRes files and am experiencing the sluggishness you mentioned and that I’ve been reading about. I’m working on transcoded footage shot on 5D mark iii. If I consolidate to mxf at this point, am I degrading the original footage at all? I’d used the ProRes because at the time I couldn’t get avid to link the the raw mxf files on the drive. I assume it’s because I got a drive from an FCP editor and the original camera file architecture was gone. So I went with all te transcoded media. As I move forward towards delivery for broadcast, I’m just concerned that I’m providing a less-than-ideal final product. Is this a valid concern? I appreciate any help in this!