Michael Phillips
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COW Coin
Forum Replies Created
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I’m a bit unclear as to your overall question or goals, but when syncing Video to Audio with a common timecode, the resulting clip will be based on the sync timecode relationship between the two for the duration of the shortest clip of two clips being synced.
A video clip from 01:00:00:00 to 01:01:00:00 and an audio clip that is 00:59:00:00 to 01:02:00:00 will result in a clip that is 01:00:00:00 to 01:01:00:00. If the audio clip was subclipped in this example was 01:01:10:00 to 01:01:50:00, then the resulting sync clip will be 01:01:10:00 to 01:01:50:00. The same is true for video being subclipped. A resulting .sync subclip will never have filler (black) for either video or audio.
Michael
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Timecode is correctly maintained in the subclip as the correct offset to its master clip.
Michael
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You can AutoSync subclips with other subclips or master clips.
Michael
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But were new settings created in both systems?
Michael
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Sort of aimed at you if you were planning on adding it to an ALE. There will be some calculations needed to calculate END in the file which is based on project fps (not recorded fps) as seen on the first event) in order to properly merge. My guess is that the AMA plug-in should be grabbing all this. If not, I would go back to the AMA developer and make the request there.
https://www.gluetools.com/products_avid_phantom.html
or
Michael
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Some of these will be part of AMA link, but for those that aren’t:
Cine File: SHOT_1.cine (AMA link as Name and Source FIle)
File Size: 4357349484 bytes (add as File Size)
Packed? YES (add as Packed?)
SMPTE TC: 07:02:59.17 (AMA link)
Frame Count: 394 (add to Frame Count – assuming 0 start?)
Capture FPS: 500 (AMA link)
Resolution: 4096 x 2160 (AMA link)
Camera Serial 17513 (add as Camera Serial)
Camera Model Flex4K (add as Camera Model)
Camera Firmware 167360251 (add as Camera Firmware)
UUID: 00000000-4469-4000-b86d-4874000f06b3 (add as UUID)
Shutter Angle: 180 degrees (add as Shutter Angle)Unknown is if there is additional info if shot high speed for slomo and has an assumed playback rate in the file or not. There doesn’t seem to be. As you know, without the base frame rate declared, you’re gonna have to guess which rate is declared in the ALE or prompt the user for header and durations.
Michael
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Can you copy/paste the contents of the .txt file here?
Michael
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Columns to the left of it will stay in place as you scroll horizontally. For example, the NAME column will always stay in view when scrolling to the right to see more column metadata.
Michael
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Same response, swap out the LUT for this one:
https://groundcontrolcolor.com/products/free-cinelike-d-to-rec-709-lutMichael
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Are you shooting in VLOG? If so you can start with the GH5 VLOG to 709 LUT:
https://av.jpn.support.panasonic.com/support/global/cs/dsc/download/lut/index.htmlSD and HD TV standards still use Rec709. New color spaces include 2020 and different profiles if delivering for HDR.
If your ONLY deliverable is something like YouTube or Vimeo, you can certainly work full range. That can be done on export if needed once you create a 709 master or just work full range and manage it yourself. But color correction is done on a properly calibrated monitor for your main deliverable.
Michael