Michael Phillips
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COW Coin
Forum Replies Created
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Sounds like the capture was done wrong. If you are in a 23.976, the capture expects true 2:3 pulldown either as NORMAL or ADVANCED pulldown. I do not believe the GL2 is a 24 frame camera. Capturing 59.94 interlace in a 23.976 that is not 23.976 native will cause bad frame interpolation when displayed at 59.94.
Michael
Michael Phillips
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Make sure you are rendering with correct pixel aspect ratio and selecting the right (square or non square) in Avid when importing. Why are you not rendering directly to an Avid codec from After Effects?
Michael
Michael Phillips
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Export QuickTime directly and select options and pick the same H.264 settings you did in QuckTime Pro.
Michael
Michael Phillips
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Create an optical list in FilmScribe. It will events that are not straight cuts.
Michael
Michael Phillips
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Are the files locked in some way? Can you try importing the P2 file using the File Menu/P2 import which is an easier way to get these files in and see if that makes a difference?
Michael
Michael Phillips
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Select it from the menu over one of the three windows.
Michael
Michael Phillips
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Sorry, this was in response to another post.
m
Michael Phillips
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What kind of drives and connection? Which HD format?
Michael
Michael Phillips
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The higher the compression ratio, the more detail or color infomration will be lost (depending on the compression scheme). A 3:1 import of the same file will look way better than one imported at 15:1s, etc.
Same in MPEG2 compression – a CBR of 8500Mb/s will look better than one set to 4500 for the same media.
Michael
Michael Phillips
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What color space are you rendering in AE? try exporting sequential TIFF from AE as a test. Import as RGB then 601 at any of the 1:1, 2:1, 3:1 in Avid and see if you are seeing the same thing.
Michael
Michael Phillips