Forum Replies Created

Page 181 of 428
  • Michael Phillips

    December 3, 2013 at 3:06 am in reply to: is bmcc 23.98 really 23.976

    23.98 is the shorthand for 23.976 and shouldn’t really be a difference in the NLE.

    Michael

  • Michael Phillips

    December 2, 2013 at 2:55 pm in reply to: Scary Error Message!!!

    Maybe turning off “automount” in AMA setting might help avoid that in the future as well. Just guessing.

    Michael

  • Michael Phillips

    December 2, 2013 at 2:47 pm in reply to: avd 444 workflow

    What version MC are you running?

    Michael

  • Michael Phillips

    December 2, 2013 at 2:46 pm in reply to: Scary Error Message!!!

    Does it crash during launch or when trying to open the project?

    if the former, do an unisntall/reinstall
    if the latter, does another or new project work?

    Michael

  • Michael Phillips

    November 29, 2013 at 3:14 pm in reply to: stereoscopic workflow in MC6

    Have you tried any of the full screen playback methods directly from Media Composer? This may alleviate the need for pro monitoring in 3D during the editorial process.

    Michael

  • Michael Phillips

    November 29, 2013 at 2:07 pm in reply to: stereoscopic workflow in MC6

    I would sort out the project frame rate mismatch first, unless you have mixed frame rates for whatever reason and need to be in 25p. If your footage is truly 23.976p. then why the need for 24.000p project type?

    All that aside, I can make an S3D project with any project type. Perhaps you need to make new user settings, but once the project is created (regardless of frame rate), and you go to the “Format” TAB of the project window, you are saying you cannot select any of the default S3D views from the menu selection? This puts the project into “S3D” mode enabling the S3D feature set in other parts of the UI.

    Michael

  • Michael Phillips

    November 29, 2013 at 2:08 am in reply to: stereoscopic workflow in MC6

    You should have all the data rates and all the frame rates for stereo 3D as you would have for a standard 2D project. There is nothing new in v7 stereo 3D other than EDLs now work for LEFT and RIGHT eye.

    Does your project type match your camera orignal file frame rate?

    Michael

  • Michael Phillips

    November 27, 2013 at 4:59 am in reply to: 16mm film transfer in Pro Res 422HQ

    It works well with FCP but can work standalone. It’s about the same as Squeeze for the common stuff. But for $50 it solves your codec issue.

  • Michael Phillips

    November 27, 2013 at 4:35 am in reply to: 16mm film transfer in Pro Res 422HQ

    Perhaps Compressor only as it may have some use for other tasks.

    Michael

  • Michael Phillips

    November 27, 2013 at 12:20 am in reply to: 16mm film transfer in Pro Res 422HQ

    I suspect because Apple doesn’t want the redistributing it or some other terms not satisfactory to either Apple or Avid. Apple owns the codecs, it’s in their control.

    Michael

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