Michael Phillips
1
COW Coin
Forum Replies Created
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It was announced pre IBC show, but has yet to be released. I thought I read October, so it should be soon.
Michael
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It may be the version of software or a RAM issue. If the info is not proprietary, I can try exporting one of your bins on my version of software to see if it works. If cleared, email me at michael[at]24p[dot]com
Michael
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Job ter Burg has a good document he wrote up on export which may of help to you:
https://www.jobterburg.nl/Publications/601_709_RGB.pdf
Michael
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Put all the filenames into the Camroll or LabRoll column which can be used as source for an EDL. But you will to do that for all the clips – use Duplicate Column to speed up the process.
In EDL Manager, select CamRoll or Labroll as source.
Michael
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Pat Horridge who is active in this forum will have better details than me, but look to the user manual for AS-11 export and there should be a shim to support the DDP delivery.
Michael
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You do need the Canon AMA plug-in, and from what I read, install all of of them, not just the one you think you need:
https://avid.force.com/pkb/articles/en_US/Download/en394971Also the filename may be correct but there might be an issue somewhere along the file path with illegal characters. Check to make sure. A / is a common culprit.
Michael
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Only the Amira puts its LUT and ASC CDL as metadata or baked in while shooting and defined in the ALE. If production is applying additional LUTs in the field, those can be applied by importing them and either replacing your default LogC to Rc709 LUT or concatenated with LogC to Rec709 + additional LUT.
Michael
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You can manage it by folder when making dailies as suggested. I also add the card number as metadata in Resolve as part of the logging process. This carries over in the ALE and when merged can be used by the editor or AE to sort, search, filter on as needed.
Michael
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Try rebuilding the msm files deleting them, then launch MC and see if that changes anything. Also look into the MediaTool for ALL projects on that drive and see if it sees all the media.
Michael
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Correct – once you transcode dailies, you will crate an Avid project (based on their naming convention) and move/copy mediafiles to that folder. Keep the folder naming to numbers only or MC will not index the files upon launch. As suggested, manage each batch/day worth of dailies that best makes sense to you and production.
Create a bin and populate with clips, merge ALE, etc. Ensure that clips are linked, in sync, scrub through, etc. a basic QC of both media and metadata. For example, in my years of providing dailies, they may request that you name the clips based on their convention, etc. Also provide reports for issues with timecode, focus, etc. (all detailed ahead of time before the bid). This may include burn-in,position, size, as well as sync audio, etc.
Once all dailies have been QC’s, then the first day, send project, bin, and mediafile folder which has been named to date. If you use numbers only, then something like 20140923 would be both a uniquely named number and date satisfying both your needs.
Michael