[Michael Ibanez]

At 30fps, the golf ball will disappear.

A few years ago, we did extensive testing on hi-speed cams. We captured a golf ball being hit at 1K fps in HD. We even tried 10K fps in SD, but, that was *yawn* too slow/boring @ playback. I think the final output was about 500fps.

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Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms

[Michael Ibanez]

The “rectangular box” around drop-shadows occurs only when printing on desktop printers. I have sent many a files to pre-press without any problems.

My final files have always gone to press without a problem–even though the “rectangular box” showed up in my color separations (from desktop post script printers). As such, I have always treated it as a bug, knowing it would not be rendered at press.

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Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms

[Michael Ibanez]

Bebob offers the first on-board LED system to feature variable focus range. The unique arrangement of LEDs allows for stepless variable focus at an angle of 40º (Spot) to 60º (Flood). Output is fully dimmable.

The Bebob Lux LED comes with an inline power supply adapter that enables the LED light to run directly off the camera’s battery—eliminating the need for an external power source.

After considerable testing by NBC Universal, they opted to purchase a considerable amount of Bebob LED lights for their news stations nationwide. These are great lights.

If you’re looking solely at cost, then, you will miss-out on the key points of a good LED light, such as the Bebob Lux LED:

– High-output LEDs — 30W
– Variable focus at an angle of 40º (Spot) to 60º (Flood)
– Dimmable light control
– Cooling system keeps the light cool to the touch
– Connects to any 6.5V to 28V power supply
– Integrated power cable with standard D-tap connector
– Barndoors with diffuser
– Lightweight

More Info on the Light: https://16x9inc.com/store/cart.php?m=product_detail&p=147

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Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms

[Michael Ibanez]

Press: Q

From what you are describing, it appears you have entered “Quick Mask” mode. Exit out of “Quick Mask” mode to have access to colors.

Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms

[Michael Ibanez]

You have two options.

1) Force a URL line break. This is done manually with: Shift+Return

2) Change the Language of the URL Text. Select the URL. Then go to the Control Bar and select your language–change it to “No Language”.

Hopefully, this should help you.

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Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms

[Michael Ibanez]

The wide viewing angle of these wide converters & attachments make it impossible to thread a filter onto the lens, i.e., vignetting occurs. If you would like to add a filter, without purchasing a mattebox, you can do it through a rubber lens shade.

We offer a rubber lens shade designed to work with most broadcast lenses, wide converters and attachments through the use of step-rings. The Rubber Lenshade accepts 105mm round filters.

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Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms

[Michael Ibanez]

We, 16×9 Inc., make three wide converters/attachments for the Panasonic DVX100. They are: EX 0.75X, EX 0.7X, and the EXII 0.6X.

The EX 0.75X comes standard with a 72mm thread and can be used with other cameras using proper step-up/down rings–such as the Panasonic HVX200. It offers 25% more coverage while maintaining exceptional image quality, e.g., straighter lines at the edges which translates to a limited curvature of field. The EX 0.75X is also a full zoom-thru lens converter.

The EX 0.7X comes standard with a 72mm thread and can be used with other cameras using proper step-down rings–NOT for the Panasonic HVX200. It offers 30% more coverage while maintaining exceptional image quality, e.g., sharper contrast, better resolution, and less color aberrations. The EX 0.7X is also a full zoom-thru lens converter.

The EXII 0.6X is a new lens introduced at NAB 2009. It is a single-lens element attachment designed for 72mm cameras. It offers 40% more coverage while minimizing barrel distortion. All single-lens elements have very limited zooming capabilities, however, the EXII 0.6X makes partial zooming possible with cameras that have auto focus capability.

If you’re looking for the least barrel distortion, the EX 0.75X is the best solution. If you’re looking for the widest field of view, the EXII 0.6X is the best solution. If you’re looking for the least barrel distortion and the widest field of view AND full zooming capabilities, then the EX 0.7X is the best solution.

Which is the right lens converter/attachment? Only you can decide.

Michael Ibanez
16×9 Inc.
michael@16x9inc.com
Exclusive US Distributor for Chrosziel, Bebob, & EasyRig
Exclusive Worldwide Distributor for 16×9 Inc., Noga Cine Arms