[Mel Bernstine]

thanks again
i’m not working for LV

i hope that the monitor is a 16/9 turned on it’s side
or that the company has some helpful tech people

[Mel Bernstine]

any idea how that would be set up in AE?
and then how it would be delivered to the monitors?

thanks again.

[Mel Bernstine]

thanks a million for the comprehensive and simple answer …

a last question … what are those monitors that you see around that are more than 16/9 widescreens turned sideways but look like vertical pillars? I saw them used in a Louis Vuitton store.

[Mel Bernstine]

what if it is one of these long strip type of monitors that you see more and more used in displays in stores and conventions?

[Mel Bernstine]

ps:

If someone speaks of a 1:1 scale monitor do you know what that means?
Any suggestions for actual size to use in AE to format comp for these kinds of monitors?

thanks

[Mel Bernstine]

thanks … do these pillar-like monitors all accept video coming from dvd players? In there some common aspect ratio for them? If I make the composition in AE like you said, and export it in a Pal-DV format, how do I make sure that the actual content (as opposed to the empty part of the frames) falls squarely in the monitor instead of outside? thanks again.

[Mel Bernstine]

thanks Steve, but there is a hitch … i am starting with a (for example) 12 second clip … then, in the timeline splitting the layer into various parts … is there a way to loop layers? i would like to avoid having to break up clips before bringing them into the comp

bertignac