[Maxim Moisseev]

Thanx for this info, Thomas.
We used to print on a Roland, with maximum paint coverage and 2-pass.
It gives best results even compared to standard photo-processing on Kodak Duratrans. Colors are more dense and vivid. And the film itself is more clear.
As for ink-jet transparencies, I only guess how you can use it for serious.
For us it’s not suitable just ’cause the slides are mounted in rolls, not in frames.

[Maxim Moisseev]

No, it’s not for an overhead, but for a PIGI-type 4 kW system.

[Maxim Moisseev]

I VERY APPRESIATE YOUR HELP!
What hardware do you recommend to use with Hippotizers?

[Maxim Moisseev]

Thanx for the list, Bob.

I tried Watchout a couple of times, the most embarasing thing for me is that’s a PC soft. Windows is’t very stable.

I’m looking for a flexible application for OSX, that could work together with light console through dmx and with a timeline feature.

We’re composing a light program within Wysiwyg off-stage. I prefer to do a little bit the same manner with video, and to have a possibility to sync ’em on stage.

[Maxim Moisseev]

Thanks, Bob.
I did’t mention anything about my budget.
I also use Arkaos, it’s good for VJing, but I’m sure it’s not suitable for 5-screen performance.

So I’ll take a closer look on Catalyst. Do you know a good manual on this soft? I haven’t found any on their site.

[Maxim Moisseev]

I use PVP HD, it’s reaaly very good and affordable but far from Wings. I also gave a try to HighEnd Systems Catalyst, but it seemed to me not very stable and friendly.

[Maxim Moisseev]

Thanks, Darby. Track matte was exactly what I was looking for.

[Maxim Moisseev]

whoops!! I DID IT! Loft nurbs + bend object. Thanx everyone for thinking.

[Maxim Moisseev]

[Maxim Moisseev]

this way i can only cut one poly at once. So if i have a group of 10 cubes, I will have to cut 40 polygons? this is not at all an easy way.