Matthew Bradshaw
Forum Replies Created
-
It has been a while but can’t you just export an mpeg4 (h.264) and change the suffix to flv?
Matt. -
If you have a budget you might want to look at “Pluraleyes” (I have no vested interest) which is great for this sort of thing.
Matt. -
Normal maybe but not what I want to do. I can take the full res. files home as Grinner suggests but they are 95Gb which is possible but can I take home low res. versions and still have the project at my employers link to the high res. originals?
Matt. -
Sorry, about repeat post, maybe they do an echo filter too!
Matt. -
Eyeheight do a compliance suite but it isn’t cheap.
Matt. -
As well as sample rate miss-match it may be worth checking that the sequence set up for the whole project is the same as the actual sequence that you are working on. When you import audio I think that FCP gives it the frame rate set in the project settings. (Search this forum as this has been covered before). You may also want to look at Pluraleyes which is a plug-in which might make your job a lot easier.
Matt. -
I don’t know what that is. Was it there before the EQ? You could add a very short mix to each cut or checker board your audio.
Matt. -
You could try … in the audio mixer click top left and then choose eq then either fiddle with the eq (reducing 15Khz) or choose the fast menu and select one of the built in eq settings.
Matt. -
Hi. I have been adding 10db gain to my whole sequence, checking for audio peaks, adjusting them, and then removing the 10db gain. I agree with you that a small (tiny) adjustment in the software would make this feature useful rather than useless.
Matt. -
I would post this in the Motion forum. I am sure you would get some help there. Motion has “behaviours” which can take the pain out of animating wiggling fish!
Matt