Matt Callac
Forum Replies Created
-
all the effects are one’s i use all the time.
in each comp there’s:
adjustment layer with
add grain
ramp
levels
calculationsadjustment layer with Curves.
within the comp or pre comps these are the other filters
CC Repetile
tint
strokeI can’t imagine any of those filters would be causing the problem.
-mattyc
-
Just tested a render on another project, and it accesses all the processors on the machine.
this is really weird.
-mattyc
-
Seems like really awkward design on the filter to have the color selection as a wheel, rather than a line. Grey output cycle trick worked like a charm. I’d have spent a crap ton of time trying to figure that one out. Thanks Kevin,
-mattyc -
And While you’re checking out David Roth Weiss content on the cow, be sure to check out this three part interview he did with David Lawrence.
https://library.creativecow.net/weiss_roth_david/FCPX-David-H-Lawrence-interview/1
https://library.creativecow.net/weiss_roth_david/FCPX-David-H-Lawrence-2/1
https://library.creativecow.net/weiss_roth_david/FCPX-David-H-Lawrence-3/1-mattyc
-
[David Roth Weiss] “Thank you Matt, but what happened to the PR job I hired you to do? Did somebody else promise you more and better tacos?”
Man, i knew you were gonna bust my chops about this. I should just got in there and posted the links to your new podcast interviews with David Lawrence.
-mattyc
-
[David Roth Weiss] “May I suggest that you take a peek at my tutorial on just this very subject.”
David, That’s old content, you should at least pitch your new content as well. Those Podcast were pretty good stuff.
-mattyc
-
[Craig Seeman] “I can certainly tell you’ve never lived in NYC!”
actually I did. But I rarely rode in cabs, too cheap for that. Subway’s and buses.
[Craig Seeman] “Not true at all given the initial drop on the meter and the meter’s slow progress when “standing.” They make more money on more fast trips. BTW this is certainly on topic of “what is a pro” because of the assumptions that “one man bands” aren’t doing broadcast work. Many do local cable spots. And while not “one man bands” I know of a few reality shows that were so low budget they were happening out of somebody’s basement.”
BTW I said CAN, not do. Implying the possibility, not saying that they absolutely DO.
Also I’m not on the certain types of people aren’t pro editors wagon. I know plenty of guys that are one man bands, that like you said, do tons of local cable spots.
-mattyc
-
[Carsten Orlt] “Not sure I agree. What I’m seeing is simply that FCPx keeps the clip being trimmed (head or tail) static and shifts the rest. Yes that causes the time(line) to move differently from FCP7 BUT this is actually a good thing because it keeps the clip I want to change focused.
When you trim the first part in your example, it stays stationary and the second part moves, keeping the time(line) static.”
I think he’s using this as a visual metaphor. The timeline is moving while the clip is staying still, b/c the Clip in the primary storyline IS the primary timekeeper. Whereas in all other edit systems, the timeline itself is the primary timekeeper.
-mattyc
-
[Herb Sevush] “Nothing to apologize for, the confusion wasn’t yours.”
but reading my joke after your post, easily could have helped him make the assumption he did.
-mattyc
-
[Herb Sevush] ”
Actually read my post Craig and you’ll see I specifically kept Taxi Drivers in the “set” of professional drivers.”Yeah, I was just making a joke, Sorry for the confusion.
-mattyc