Replies – Forums – Massimo Alberto croce – Page 21

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Massimo Alberto croce
February 12, 2013 at 5:25 pm in reply to: Log & Transfer from Desktop?

I don t know about the Panasonic AC-AG160 but you need to copy all the card content inside your folder on desktop.
Shane Ross made an interesting tutorial about tapeless workflow
https://podcasts.creativecow.net/final-cut-studio-podcast/fcp-tapeless-offline-online-workflow

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
February 12, 2013 at 3:55 pm in reply to: audio filter plug in for FCP

Vocal DeEsser from standard audio filter or any de esser plug ins
https://en.wikipedia.org/wiki/De-essing

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
February 12, 2013 at 2:07 pm in reply to: Straight alpha matte out of After Effects into Final Cut Pro 7 luminance shift

[Rafael Amador] “FCP prefers Straight alpha; is his natural alpha option”
Yes, I Know.
But sometimes change interpretation solve my issue with alpha channel.

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
February 12, 2013 at 8:19 am in reply to: Straight alpha matte out of After Effects into Final Cut Pro 7 luminance shift

Try change alpha interpretation inside fcp under alpha try premultipled with black or white.

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
February 11, 2013 at 9:05 am in reply to: PAL to NTSC in FCP settings

Totally agree with Neil. Frame control do a good job.

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
January 22, 2013 at 2:04 pm in reply to: i shoot on a canon 550d DSLR at 720 @ 50fps. could someone recommend the best FCP settings for timeline and for export so i can keep quality?

FCP don’t support natively files from canon, you need to transcode before start editing.
you need to download the plug in and make a little hack to use with 550d.
look at this
https://philipbloom.net/2010/03/22/final-cut-plug-in-to-import-footage-directly-into-pro-res-with-fix-to-make-it-work-with-rebel-t2i-550d/
Good luck

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
January 22, 2013 at 1:46 pm in reply to: Ready to lose my mind!!!

Sorry, but you need to recapture you footage or manually re-sync it. The problem, i think, it’s related to a timecode break, look at the FCP User preference if it’s set to “WARN AFTER CAPTUREon a time codebreak”.
Good Luck

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
January 22, 2013 at 9:15 am in reply to: FCP Audio question, Compressor or Limiter

[Michael Gissing] “The advantage of doing in in STP is the limiter is on the track, not each clip so much easier to setup an overall rather than tweak individual clips.

Also the compressor/ limiters in STP are much better than the ones in FCP.”

Also STP have Gain reduction graph, so you can better evaluate the compressor-limiter compression.

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
January 18, 2013 at 4:52 pm in reply to: 1920×1080 on 4:3 without black bars

You will lose information on the upper and lower sides.

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
Massimo Alberto croce
January 16, 2013 at 6:56 pm in reply to: Importing Still Frames at 1 Frame Each?

Go to users preference>editing and change the default duration of still to 1frame

Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com

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