[Martial Bachoffner]

Hello,

Here is my suggestion.
From your color corrected clip, drag the filter to the favorite folder.
When you are in your multicam mode, just drag and drop the filter from your favorite to your clip, this gonna apply all of the settings of your color corrected filter to the clip in multicam.

Martial

Vancouver Island Final Cut Pro User Group
Martial Bachoffner
Founder and Administrator

[Martial Bachoffner]

Hello,

Your I/O with Firewire 800 is 800 megabits/s, this mean around 100MB/s if your raid is in stripping mode. With the F800 from LaCie, you can have 1TB or 1.6TB. Don’t forget that more you fill your drive and more your bandwidth decrease.
An other important point is your number of srteam.
If for example, you need 10MB/s of bandwidth, it’s just for you first video track. If you have 2 video track, your orginal 10MB/s will become 20MB/s…
If you use a firewire raid, buy a PCI firewire 800 card to put you raid in a separate bus. If not, the bandwidth of the firewire bus is divided.

Before to consider which can of raid you have to buy, analyze which kind of editing you will do. The kind of source, DVCPROHD, DV, DVCPRO50… the kind of capture, DV or via card like Decklink and other, the number of video stream you expect to put on your timeline.

Regards,
Martial

[Martial Bachoffner]

The only thing you can do is a demux to separate the video file from the audio file.
Make a search on google with the word demux, you will find some software. You can also find one in http://www.versiontracker.com

Regards,
Martial

[Martial Bachoffner]

I really don’t know, but if you contact the Decklink’s tech support, they will give you a quick response.

Martial

[Martial Bachoffner]

Buying Nattress filters is always a very good investment.

Regards,
Martial

[Martial Bachoffner]

Thanks Shane!

Martial

[Martial Bachoffner]

Hello, to improve the quality of your photos, I suggest you to use PhotoZoom Pro : https://www.trulyphotomagic.com

Regards,
Martial

[Martial Bachoffner]

[Shane Ross] “If you were going to cut the negative, then a 24fps project might be the way to go, but not necessary. You can cut at 29.97, since the keycode information is all that is needed, and is unaffected if you work at 24fps or 29.97 fps.”

This is exactly what we want to do.

From the dvcam and the flex file, which worflow we should consider?
Open the flex file in Cinema Tools, create a new database with Film Standard 16mm 20 – Video TC Rate 30 NDF (or DF?) – TK Speed 30 ? And after?

An other thing, when we capture the clip in FCP 5 with a 24 fps worflow, we don’t have the keycode information. May be this come from our workflow.

Thanks for your help and to share your experience.
Martial

[Martial Bachoffner]

Hello Shane,

The original footage is in 16mm, converted into dvcam, we used the flex file to import into FCP 5. We did the editing in 24 fps. Now, we have to put the editing back to the dvcam. It’s a sony dsr11.

Regards,
Martial

[Martial Bachoffner]

Thanks Steven,

I will check for the deck.

Regards,
Martial