Replies – Forums – Mark Brown

Forum Replies Created

Mark Brown
October 3, 2012 at 7:49 am in reply to: New Pluraleyes 3 and Where to Find Tutorials

Thank you for this post. The Richard Harrington training video he produced for Red Giant sets a high standard in connecting users with new software. I was totally lost with PluralEyes 3 until discovering the Red Giant tutorials. They make a difference. Harrington will show you the two different methods of syncing audio, in his usual professional style. There are demonstrations for Adobe and Apple NLEs.
I still have questions about PluralEyes 3, and this is one of the few forums to find answers.
Kuhnen

Mark Brown
InterMountain Digital
MacPro quad. Premiere Pro CS6
Matrox mini MAX. Former FCP7 editor.
Mark Brown
July 31, 2012 at 7:50 am in reply to: Keyboard shortcut to quickly zoom into audio waveform in source panel

I have become fond of Command + G. This opens a small dialog to type in a new gain level which can be plus or minus dB. First select an audio clip in the timeline.
Kuhnen

Mark Brown
InterMountain Digital
MacPro quad. Premiere Pro CS6
Matrox mini MAX. Former FCP7 editor.
Mark Brown
July 31, 2012 at 7:41 am in reply to: WMV export in CS6 Mac version.

Besides Apple Compressor Flip4Mac enables QuickTime 7 to encode wmv movies. Drop a ProRes movie onto QT7 and select File / Export / wmv. Works great!
Kuhnen

Mark Brown
InterMountain Digital
MacPro quad. Premiere Pro CS6
Matrox mini MAX. Former FCP7 editor.
Mark Brown
July 6, 2012 at 3:53 am in reply to: Tape Digitizing-what is everyone using to digitize?

Greg,

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Premiere Capture is working fine for me, and I have a choice of codecs. When I open the capture panel, it lets me choose the Matrox Recorder as the capture format (after clicking capture settings). Then press the ‘configure’ button where you can choose a video format and configure a codec from the compression settings dialog. The list of codecs is long, and includes all the ProRes, and other QuickTime codecs.
I see you use the Kona 3 card, so the choices may be different. Nonetheless, Premiere capture is working fine, particularly capturing DVCam tapes from a DSR 50 deck (component).
Kuhnen

Mark Brown
InterMountain Digital
MacPro quad. Premiere Pro CS6
Matrox mini MAX. Former FCP7 editor.
Mark Brown
June 14, 2012 at 7:09 am in reply to: Sony PMW F3 — Transferring Footage — Drag and Drop or XD-CAM Browser?

Better yet Adobe Production Suite CS6 has Prelude which copies BPAV files to multiple drives with file checking. Been using this workflow without any problems. If you edit in Premiere this is a powerful bonus considering it’s logging features which rival CatDV.
Kuhnen

Mark Brown
InterMountain Digital
MacPro quad. Premiere Pro CS6
Matrox mini MAX. Former FCP7 editor.
Mark Brown
May 26, 2012 at 6:51 am in reply to: Public Service Announcement: Is your Premiere Pro Laggy?

Just upgraded to OS X Lion 10.7.4 and Premiere Pro 6.0.1 in the same day. The real-time playback is unbelievable!! I loaded up a timeline with native XDCam EX 720p footage, several layers of graphic titling, a couple Boris filters, and some Boris RED transitions. I’ve never seen anything like this on my system.
Thanks Adobe for bumping up the speed limit, and making the magic happen.
Brown

Mark Brown
InterMountain Digital
MacPro quad. Premiere Pro CS6
Matrox mini MAX. Former FCP7 editor.
Mark Brown
May 26, 2012 at 3:58 am in reply to: We want a New MacPro

Meanwhile, back on topic…
A Best Buy geek in Oregon told me to be sure an drop in next month and look at the new Mac Pros. Consider the source. Since Sir Jon is now the keeper of Apple’s secrets, I told the geek I will believe it when I see it.