Forum Replies Created
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it would be good to compare with other scopes?
maybe it is just on 100 and scope box goes mad or this 120 one was ok on scope box ?
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Margus
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Margus Voll
February 1, 2012 at 10:55 am in reply to: 22fps Limit with BMD UltraStudio SDI or Intensity Pro Enabled 🙁I guess this is the down side on pc and win version as the system is more heavy and
there can be really big mess really fast as users can make custom system
that will give problems.I urge everyone to follow config guide to get consistent results.
I have seen that on capture cards, people put together
god knows what in machine and then nothing works.So there is a reason for config guide 🙂
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Margus
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Hi.
I wonder how did you get molex Y to pci e on 5.1 machine.
I just got my 470 but optical bay has sata power only or i’m just blind 🙂
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Margus
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In expander you may want to explore something like gtx480 not 285 any more.
As Robert pointed you really need to push everything to get 4k.
Win version would be better option for this imo.
New PC boards may have faster internal io from cpu to memory etc.
On 4k it al really counts a lot as the data you push is insanely big.—
Margus
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Margus Voll
January 17, 2012 at 8:50 am in reply to: RED Scarlet, Davinci, After Effects, and FCP/Premiere workflowHi.
You can do proxys in Resolve. And depending of your config it is fast.
Specially when you use half rez good option for red stuff.I mostly do it like that. Import all or some of the material to media pool depending of the material length. If it is long and extends 20 minutes or so i split to “reels” just by importing
drive or memory card basis from camera.
Then go to slate tab and put some timecode and name options on.
Go to session and render out with original names to different folder. Proxys can be in the same folder
when exporting from resolve.WIth prorez it is really simple for editor to use same named files even on laptop.
Later you can reconnect in resolve with r3d files and only use media that is actually needed.
Make sure you have “ignore file extensions” turned on.Later it is just the mater of re connecting to fcp and if any need you just go back change one or all files,
render them to same folder that you had for final output and bam you are reconnected in fcp.
Just be sure to delete files you plan to modify first. Have not tested how well overwrite works.
Also rendering out separate files is good idea for vfx work. It is really simple to just have one or two shots for vfx to work with.Somebody may have different / better solution but this is what i have use with few
last jobs and it served me well.I think there is really strong point not to oversaturate your machine with big r3d stuff when doing offline.
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Margus
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Usually newer update in the middle of something. You know Murphys law 🙂 ?
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Margus
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