[Malcolm Desoto]

Oh snap! Thanks man! That tutorial illuminated something that I had failed to see till now!

sweet!

[Malcolm Desoto]

Yes, it seems like it is, in fact, a weirdness.

I’ll check out the tutorial.

Thanks man.

[Malcolm Desoto]

Thanks for the input. I’ll definitely give it a try.

[Malcolm Desoto]

Thanks Adam.

These will all be things to take into consideration on the next project. Unfortunately I can’t reshoot any material at this point and the camera has to be in that position.

This has all been a huge learning experience and I suspect that the next 3D project will go alot smoother.

[Malcolm Desoto]

Oh, and I did try rotating the room Roland. I just couldn’t get the perspectives to look right though.

Thanks for your help though. This is all good info for creating a 3D project work flow.

[Malcolm Desoto]

“the easiest way would be to try and keep your 3d camera at the same (or very simialr) angle as the camera that shot the subject… or reshoot the subject with the camera angles you want in the 3d comp.”

I agree. That is what I’d do in the ideal situation. The only catch is that the camera needs to fly around the room in some extreme angles.

Really Railboy? That would be a fantastic little trick! I’ll have to give that a try sometime.

[Malcolm Desoto]

Hmmmmmm. Yeah. I could.

I’ll try it out.

[Malcolm Desoto]

It is, indeed, a nested 3D comp; which is why I suspected that this would not work.

Oh well. Thanks for the input.

[Malcolm Desoto]

Yeah, I understand. Only I’m not a full 3D app, I’m in AE. If I tried tweaking the floor at this point, it would mess up my angle with the walls. I think I’ll just duplicate the layer and mask the foot off.

[Malcolm Desoto]

yep, that’s another option. That’d be the easiest I suppose. I guess I was hoping that there would be some settings or something. Anyway, thanks for your help.