[Luke Hardiman]

Thanks Craig,

I’ll give that a go

[Luke Hardiman]

Hi jeremy

I think I’ve got it.
If it’s shot at 1080p25, its actually 1080 psf 25.
Its a touch confusing what psf is, but effectively to produce progressive frames at 25 fps, which my clients need, I just use 1080i50 clips, in a 1080i50 project, with the field dominance set to none.
Do I have to change the field dominance of the clips themselves or just the sequence?
Any idea why there isn’t a 1080p25 setting?

Thanks again for your help

L

[Luke Hardiman]

Thanks for that

[Luke Hardiman]

The DOP told me its shot at 1080p25, but FCP will only recognize 1080i50.

[Luke Hardiman]

Thanks Rafael

thats great.
Am I missing something or is there no easy setup for DVCPRO HD 25p

Thanks

[Luke Hardiman]

So just to get back to basics for a second,

if the cameraman shot at 1080 25p, but FCP imports it off P2 as 1080 50i, I just need to set the field preference to “none”, and I will be working at and delivering 1080 25p

Thanks

Luke

[Luke Hardiman]

Great thanks, thats bugged me for a long time

Cheers

[Luke Hardiman]

Thanks for your help, altering the TC of the AD-88 audio to match the vision speeds up the process afair bit.

previously I had tried making a sequence with vision and DA-88 audio and eye-matching, which works pretty well in Avid, but when you edit a sequence onto a sequenc in FCP, it doesn’t edit the original clips, it seems to edit a refernec to the sequence, but if you export the audio, its empty.

Any how, I’ve got through it for this job so thanks

[Luke Hardiman]

Yes it is, I thoughtg you’d dropped off forever!. What are you doing in Canada, what are you doing, e-mail me @

luke@haywire.com.au

talk soon

Luke

[Luke Hardiman]

Yes it is, I thoughtg you’d dropped off forever!. What are you doing in Canada, what are you doing, e-mail me @

luke@haywire.com.au

talk soon

Luke