Lee Mceachern
Forum Replies Created
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Thank-you!
— Lee
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BTW
“blond” refers to men.
“blonde” refers to women.
So he WAS talking about men!
Please be more respectful of men, darn-it!
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I use a plugin called PanZoomPro that does a great job for me on projects such as yours.
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Are you sure the capture drive is good? I had this happen with all my render files on a project last week and it was, indeed, the drive that was going bad. It still showed up on the desktop and I was able to copy some folders over to other drives to save them but other sectors were lost.
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To be honest, I’ve never done this. But I was just discussing importing P2 data with a friend who does this. He said “P2 Genie” is the way to go:
FWIW
Lee
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Sorry… I don’t have an answer. But if I can piggyback on your question: If anyone can provide and answer to Jake and also explain what a “general error” is (and how to overcome it) I would appreciate it. I have a similar problem to Jake’s.
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Thanks Steve. You were right. I figured it was operator error.
I think this detail…having to select the sequence in the Browser…is a little silly. Why is there a need to do that? Nevertheless, I’m glad to you took the time to let me know about it.
Cheers,
Lee
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Hi David. Thanks for taking the time. Unfortunately no luck, however. I deselected all clips and then selected the audio clip that lives inside of my in and out points. I still go the same error message from Compressor. I tried other alternatives — deselecting all clips, etc. — but never solved the problem. I assume this is operator error since I have only used Compressor a couple of times. But I know the error message, itself, must be incorrect because there certainly is video and audio in my selection. Any other thoughts appreciated.
— Lee
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>>”Then there’s storage requirements; Is on board SATA good enough for your needs?”<< Good question...and, in fact, the question I was about to take up next in my planning. I would appreciate advice in this area? How do I decide if SATA is good enough for my needs? >>”Please visit http://www.thefinalcutstore.com for all your Final Cut needs.”<< I'll take a look. Thanks.
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Point well-taken regarding monitoring on a high-def monitor; absolutely essential. But I can do that less expensively with something other than a full featured card, I would think.
As for needing a card to master the final product, that also would be a point well-taken for many people on this forum. But in my case, I can’t remember the last time a client wanted a tape. I don’t do broadcast anymore; purely corporate. My clients always want something that they can show on a computer, project from a computer, or post on the web. I can deliver those products to them on a disk. So, If I’m not mastering to tape, how much need would I have for that card?
I’m not trying to be argumentative, at all, and I really do appreciate the expert knowledge that I see hear. I just want to make sure I spend my dollars wisely in the building of this system.