[Kyle Steinike]

We will be going to both.

[Kyle Steinike]

Just to follow up; I think I found the solution to the problem.

I did some exploring in the sequence settings, specifically the video processing tab. My sequence was set to “render 10-bit material in high-precision YUV”. I changed the setting to “always render in RGB”, and now the glitch does not appear.

Would this cause any problems when sending the project back out to HDCam tape?

[Kyle Steinike]

The AJA Kona 10-bit RGB is the format that the transfer facility used to ingest the project with. Since we wanted to keep the project at the highest quality, we simply used this codec as well. I cannot find the “AJA Kona 10-bit uncompressed NTSC” in my list of AJA codecs; do you know where I could find it?

I am starting to think that the glitch is caused by the codec, due to the fact that when I changed the clip to ProRes 4444, the glitch did not exist.

[Kyle Steinike]

Thank you for your response.

Can you describe what you mean by exporting by using Quicktime Player? Is there a way to open a FCP sequence in Quicktime Player and export it from there?

Thanks

Kyle