Kim Krause
Forum Replies Created
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lite only has 2 but years ago most systems only had that ability and did fine..just don’t expect to go mad with windows and secondaries, but with a little thought and planning you can achieve very good results with the lit version…..personally if it had 4 i would never buy the pro version because thats all i really use for most of my jobs….
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like i said earlier…you suffer from old farts syndrome…this guy is totally tuned into his generation….remember what that was like back in the 60’s? i’m sure you do!
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thank you glen for having the balls to say what i’ve been thinking for awhile now…i’m always getting into fight s with so called pro editors (read: old farts that have been editing forever who need a kick in the ass
our industry has gone thru huge changes and is constantly evolving…fcpX is just another part of the evolution…get on bus or get left by the curb! i just got a nasty reply from someone when i mentioned that i look forward to the day i can post a whole show on a iPad then upload it to youtube and get 5 million hits and make a ton of cash…….hahahahaha -
and your replies remind me of a crusty old man so set in his ways he can’t even be open minded to the concept of working differently…i feel so sorry for you to be so close minded…i guess thats why you hate fcp x then….you are just unwilling to accept change! typical of the old farts who are becoming dinosaurs of the post world……
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with that attitude we would all still be driving gas sucking v8 hunks of metal….just open the door a little, there’s nothing to be afraid of….the challenge might do you good!
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with that attitude we would all still be driving gas sucking v8 hunks of metal….just women the door a little, there’s nothing to be afraid of….the challenge might do you good!
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thanks for the reply…i remember meeting mike and checking out the thing but i can only remember that it had 2 huge trackballs and worked with layers and keying and was way ahead of its time…it just seemed like a real steep learning curve to get away from traditional way of working but maybe its time to revisit it. would love to find some specs and pictures……….
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you don’t read very well….joe mentioned that he tried AAF which is an avid format that automatic duck can send to FCP. once in fcp you can easily go into color, in case you hadn’t noticed. from color back to FCP. then using automatic duck export, create an avid project that you can open in avid. i have done this many many many times and it works flawlessly……don’t take my word for it tho…try it for yourself or ask around before you show off your lack of knowledge…..sheesh!
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joe mentioned aaf and i have on many occasions dragged avid projects into final cut using automatic duck and then sent it to color for grading and then after sending it back had fcp make me a new avid project as well….whats your problem? are you just scared to admit that color still has some merit and that despite its shortcomings there are still things that fcp and color can do that no one has managed to make as simple.and before you go off at me about davinci, etc…..i am fully aware of color and fcp being dumped by apple. that’s just the way things go and i am sitting on the edge waiting to jump into davinci…however for most of my projects and clients i see no advantage…..for instance, one project i am working on, i am sending color project files to my client so they can render it on their side and link it back to final cut. this is only possible because everyone who has fcp also has color. i don’t have to render out shows and copy huge files to drives and send them half way across town anymore. i just email the color project and i’m done. try doing that with davinci! oh wait ya can’t because not everyone has resolve on their mac! oops….
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i would just use the automatic duck to send the whole thing to FCP……then send to color! make it lovely , send it back!…..why don’t things get any simpler than this? oh yeah, because tcp and color were made for each other…..