Kevin Monahan
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Keep in mind that capturing entire tape rolls at full res was entirely unheard of before FCP came out. Capturing long sections of digital video, as a rule of thumb, needs fast drives with healthy throughput-for a more sustained data rate. Often, a standard external firewire drive may not have enough UUUMPH. Thax’s advice is good should you continue to experience problems with your current setup.
Kevin Monahan
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You have the responsibility to make sure that the titles are broadcast safe. Full white, no matter the tool, is almost always not broadcast safe. Especially in the DV codec, where whites won’t be clamped until you are at 110 IRE, which is in most cases not legal. In fact, most clips are also not broadcast safe because the highlights won’t be clamped until they have surpassed 110 IRE.
Kevin Monahan
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WIth FCP? Nope. Write up a feature request. You can use more than one machine to encode with Compressor though.
Kevin Monahan
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How do they look on your video monitor, not the Canvas?
Kevin Monahan
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Check out Title 3D. Most new users don’t even know it’s there. It’s quite powerful.
Kevin Monahan
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Plenty of space left in the workshop. Walk ins get $100 off ($399). See you tomorrow at 9AM!
Hollywood Studio Rentals
620 South Flower Street
Burbank, CA 91505
U.S.A.Kevin Monahan
Take My FCP Master’s Seminar!
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Check out Effects Essentials Plugs. They have curves, quite nice too.
Kevin Monahan
Take My FCP Master’s Seminar!
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It’s a direct LIFT. Absolutely Shameless, really!
Some head’s gonna roll over this one.Kevin Monahan
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Amen Walter. AMEN.
Optimizing images in Photoshop is probably one of the top confusions with self-trained editors.Kevin Monahan
Take My FCP Master’s Seminar!
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I think that TC does come in via XML. How else would your cuts line up?
Check out my article. https://www.fcpworld.com/fcpfx_5.htm
Kevin Monahan
Take My FCP Master’s Seminar!
fcpworld.com