Forum Replies Created

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  • FCP cannot handle native H264 media in real time. You need to transcode all your footage to a format that FCP can work with (such as ProRes 422) before you start editing.

  • Ken Jones

    October 31, 2012 at 7:18 pm in reply to: Getting 24p to look good on DVD

    Regarding the flicker: the problem is introduced when scaling from HD (1920) to DVD (720). If you are using Compressor to compress your media to m2v, turn Frame Controls on, and change the Resize Filter to “Best”. All the other settings can stay on “Fast”.

    BTW – it took me YEARS to figure this out. I purchased (Innobits BitVice) or tried every possible DVD compression software and spent dozens of hours trying to alleviate the issue. I scoured these forums and asked questions and was given all kinds of advice – none of it worked until I did the above.

  • Thanks for the replies.

    I previously scoured Video—-Hive (great resource!) and other AE template sites to no avail before posting. I was just hoping that somebody here might recognize this particular animation and be able to tell me exactly where I can buy it – if it is even for sale.

    The main thing I want to do is to be able to go in and change the title and generally get a cleaner resolution. The only form I have it in is from a standard def DVD.

    The animation appears (to me anyway) to be a 3D animation background with tracked placeholders for text and/or video. I would guess that the light sources would be generated with AE.

  • Ken Jones

    August 4, 2012 at 6:41 pm in reply to: How to get this soft look?

    That’s because you are not supposed to put the stocking on the front of the lens. You are supposed to remove the lens, put the small piece of stocking on the back of the lens, and then re-attach the lens.

  • Ken Jones

    May 11, 2012 at 1:33 am in reply to: Building an Editing Suite: Room and Lighting

    I bought the desk about seven years ago so I really don’t remember how the legs are attached or if I had any problems assembling the desk.

  • Ken Jones

    October 6, 2011 at 1:57 pm in reply to: Syncing up two cameras with FREE RUN TIMECODE

    In my experience, every camera’s internal clock will run at a slightly different speed. This means that as the day progresses the cameras’ time codes will drift further apart – just like no two digital watches always keep the exact same time.

    If your cameras stop and start constantly you can use the free-run time code as reference to get you in the ball park, but probably the most hassle free way of syncing all this up is to purchases pluraleyes.

    The only foolproof way to keep time code in sync is to jam the time code to each camera with a BNC cable. You don’t necessarily need a stand-alone generator. You can use one camera as the time code generator and then loop from camera to camera with these cameras set to external time code.

  • Ken Jones

    May 19, 2011 at 2:57 am in reply to: FCP is sluggish while editing or saving project

    Did you install the ProKit update? I started having these same issues immediately after the update. I first noticed the spinning beach ball in Compressor, but have also had the same video playback problems you are experiencing.

  • Ken Jones

    May 19, 2011 at 2:51 am in reply to: Anyone have issues after ProKit update?

    I have noticed that Compressor started “hanging” immediately after I installed the ProKit update. Anything I do in Compressor takes about 10 seconds for the screen to refresh. I get the spinning beach ball. For instance, if I add a file it spins. If I add a new setting it spins. I use Compressor every day and it has never done this before.

  • I have been working on a series of 4-5 minutes videos all week. FCP has been crashing 5-6 times a day. Perhaps something got broken in a software update?

  • Ken Jones

    April 8, 2011 at 5:12 pm in reply to: Building an Editing Suite: Room and Lighting

    I have the Middle Atlantic MDV-DL Desk and like it a lot.

    https://www.middleatlantic.com/studio/mdv/mdesks.htm

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