Keith Koby
Forum Replies Created
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I could use that too where producers are screening feeds from a live feed via videohub and a ltc feed run is not available. I would spend $300 on it. The cable runs would cost as much to make…
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
I can see where you’re coming from. I got a larger house now and it is necessary. Routing, especially through the videohub interface is simple. Patching is difficult for some creatives. A good quarter of the tickets we get boil down to patches not put in the right way. For a mid-sized place like mine, you still got to work on a budget. I would end up spending 6 or 7 times the cost of a broadcast videohub, even more to put a full router in with the same number of i/os.
However, even for your smaller place, it is necessary to sometimes route the same signal multiple places at the same time if you are doing the job the right way. You may be capturing, monitoring and putting the same signal into a scope for example. That gets difficult if you’re trying to patch one signal out of a deck and then to a cpu and then to a monitor and then to a scope etc. 5k for a 12 x 24 hdsdi router is still a killer deal no matter how you slice it.
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I’m at nab now, so I’m not in front of the computer, but that is probably it. Put it in the trash or move it to another directory temporarily to test. If you just move it to another directory, you can move it back if you ever happen to need it in soundtrack, fcp, logic etc.
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
that’s 6 times the inputs at 3 times the price!
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
I’m very excited about the Broadcast Videohub and the addition of mini-converters from bmd. The guys in the router booths couldn’t believe that bmd released such a big router at that price point (15k). And they finally included a ref input so that the device would re-clock to your house ref.
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
We have two machines here with 7.4 HD3 + FCP 6.0.2. No problems. The only thing that we do change so that FCP will start up is trash the AU versions of the waves plugs. Otherwise it takes an eternity start up and we don’t use them in fcp.
One very cool thing that happens is that you can play back your dvcprohd or prores clips from the protools timeline. hook up another lcd and drag that qt window over to the second monitor. Nice!
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
DV may or may not allow it. HDV probably doesn’t b/c of the long gop structure. You’ll need to print the whole tape again.
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
Not sure why the issue would persist in a quicktime conversion export. If you reduce the number of realtime audio tracks you will force a rendered mixdown similar to the compressor export.
The other thing that will cause anomalies in my experience is placing audio files in the timeline that are not aif 48khz. mp3s and especially 44.1k material tend to cause issues.
try reducing realtime audio playback and convert anything not aif 16bit 48k to that setting and try again.
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
just curious, how many tracks of real time audio do you have set in your prefs?
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View -
We used to use a gotham font in 5.1.4.
Keith Koby
Head of Post-Production Engineering
iNDEMAND NETWORKS
Howard TV!/MOJO/Movies On Demand/iNDEMAND Pay-Per-View