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  • The ptzr settings are in the format tab. The keyframing is in the color tab.

    Documentation can be found in chapter 12 for the format menu & in chapter 9 under dynamics for keyframing.

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

    https://JuanSalvo.com

  • Juan Salvo

    May 9, 2012 at 12:40 am in reply to: Panasonic BT300

    You can opt to add the lut to the sdi signal. But it has to be a single link signal. No 4:4:4 with lut applied.

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

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  • Juan Salvo

    May 8, 2012 at 8:54 pm in reply to: nVidia GTX 680

    Yep tested. The 680s do not excell at computational tasks (CUDA) it has something to do with the the lack of a hardware task controller. Seems nvidia wanted to differentiate the quadro line.

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

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  • I’ve never seen this before. Can you try it with 422 monitoring instead of 444?

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

    https://JuanSalvo.com

  • Juan Salvo

    May 7, 2012 at 6:48 pm in reply to: Can I add a Grain look in Davinci Resolve Lite

    Not possible to add grain in a LUT. As that would be a temporal change. Also right now tricky to add grain at all in davinci. I go out to AE for grain.

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

    https://JuanSalvo.com

  • Juan Salvo

    May 7, 2012 at 5:12 pm in reply to: Will Teranex decode closed captioning?

    Don’t think so. Old teranex couldn’t either. Generally that sort functionality is reserved for QC & monitoring solutions. I don’t think there is a single product in the BMD line up that can decode captions.

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

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  • Is there any chance you have a lut on your monitor feed from davinci? Are they both feeding into the same input? If not are the monitors settings different?

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

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  • Only problem with that workflow is 1 that it’s an extra step with no benefit other than a bit of space savings and the downside of then having to buy a license for CF, and 2 you’d have potential issues with metadata.

    Hard drives space is cheap, processing time and cineform licenses cost money.

    I suppose if you wanted to archive all of your raw material long term… or already had a workflow based around CF this would probably work.

    I think the workflow that will prevail will be the simplest one.

    – Open DNG in Resolve & render to prores with standard 709 LUT
    – edit in NLE of choice
    – send project back to resolve to conform from DNG… or just finish in NLE if color is not an issue.
    – ?
    – profit

    I’m sure BMD will have a detailed PDF with the recommended workflow around the release of the camera. Everything until then is speculation, but fun any way. 😉

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

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  • Juan Salvo

    May 7, 2012 at 4:25 am in reply to: Low End GFX Card Will Work With DaVinci?

    I don’t think a low end card is going to give you any idea of what davinci is like in the criteria you’re considering. If you want a stable, well performing, capable system I would look carefully to the config guide. If you want to test drive a system with an eye towards how well it would work for you, I think it would behoove you to hire a proper resolve room for a day to test drive it. Preferably with someone there who is willing (and paid ) to show you how it works.

    Performance on a non optimized system is not indicative of what resolve is actually like,

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

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  • Juan Salvo

    May 6, 2012 at 7:54 pm in reply to: nVidia GTX 680

    600s Do not work on macs.

    Online Editor | Colorist | Post Super | VFX Artist | BD Author

    https://JuanSalvo.com

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