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Juan Salvo
September 26, 2014 at 12:08 am in reply to: buying a new system for realtime 4k in davinci resolve

Have you looked at the resolve config guides?

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 25, 2014 at 7:12 pm in reply to: DaVinci Resolve (camera raw settings greyed out on color panel)

Well, do you have raw camera footage?
Juan Salvo
September 23, 2014 at 4:13 pm in reply to: How to add noise in Resolve 11?

They haven’t added some noise/grain feature that you’re not finding. In my experience adding noise/grain doesn’t prevent banding caused by over compression, but rather causes blocks and even more compression issues. you can take your AE noise, and render it on a 50% grey card. Then bring that in as a matte and you could apply it that way in resolve, if you were so inclined.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 23, 2014 at 4:10 pm in reply to: What types of corrections use the GPU to render and which use the CPU?

Drive speed. What grading functions you’re using. If noise reduction is enabled. Could be a hundred things.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 23, 2014 at 2:44 pm in reply to: What types of corrections use the GPU to render and which use the CPU?

Everything is processed in the gpu, except for many of the codecs. ProRes and the like get processed on the cpu. Some camera formats are on cpu, some on GPU, and some are a combo, all of the grading functions are GPU bound.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 18, 2014 at 10:57 pm in reply to: Any way to output separate audio tracks in Resolve 11?

Yes, it’s possible. You need to map out your tracks in the mixer to the appropriate destination track.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 18, 2014 at 10:42 pm in reply to: mocha roto-masks to DaVinci Resolve

Thanks Ross. That’s great. Any chance of imagineer Systems developing an OFX mocha shape tool like the one for After Effects? Would be handy to keep the data live, so to speak.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 18, 2014 at 10:36 pm in reply to: 2k DPX RGB export from Da Vinci to EasyDCP

[Karthik Chandrasekar] “Resolve exports dpx in log format only. Is there anyway we force it to render it in linear DPX.?”

The DPX is what you make it. Spit out log, it’ll be log, spit out lin, it’ll be linear…. I believe you mean video however, and that applies too.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 14, 2014 at 12:57 am in reply to: Blacks way too lifted after exporting color corrected footage to DCP (cineasset)

You meantioned your monitoring on the Sony OLED. If you’ve enabled “flicker free” mode this will crush the bottom 5% or so. Might account for the difference you’re seeing. I’d take a look at your signal on an external scopes. Make sure the levels aren’t in fact lifted in your picture.

https://JuanSalvo.com
https://theColourSpace.com
Juan Salvo
September 13, 2014 at 1:05 am in reply to: Bad playback in Resolve 11 on MacPro 3,1

8/10bit is just for monitoring. Renders are still 32bit float. Your issue is just old Mac Pro with slow bus.

https://JuanSalvo.com
https://theColourSpace.com

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