Juan Salvo
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I never even used the t-bar menu button. Always just hit vectors>key mode. Took me like 30 seconds to get used to not hitting the matte/mask soft button.
https://JuanSalvo.com
https://theColourSpace.com -
Here’s a REALLY solid one:
Don’t mix framerates in Resolve.
Convert the clips that aren’t in your target frame rate before hand.
https://JuanSalvo.com
https://theColourSpace.com -
Interesting the compare and buy button just dead ended for me.
Well that amazon page will need to have specs amended to say “Compatible with Mac OS 10.5.7 or Later and Boot Camp*
*CUDA only compatible with OS 10.5.7 – 10.8.5”
It had a good run there, through 4 different big cats… but it just couldn’t handle the waves. 😉
https://JuanSalvo.com
https://theColourSpace.com -
If you’re asking if it will accept XYZ, then yes. But so will several other displays, including the FSIs and Dolby. Now, whether a flat panel direct view display would serve you well in grading theatrical content on the other hand, is an entirely different question.
https://JuanSalvo.com
https://theColourSpace.com -
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I’m not seeing it listed in the quadro line?
https://www.nvidia.com/object/quadro_fx_product_literature.htmlWhere are they selling it?
https://JuanSalvo.com
https://theColourSpace.com -
The gtx285 is a card from 3 (4 if you count the new MacPro) generations ago. Several lifetimes in the lightning Fast gpu development cycle. The FX 4800 is from 2008. Guys, I’m not saying you’re out of date…. But I wouldn’t hold my breath for driver support on those puppies in OS X 10.9. Not to mention that neither of those cards have much gpu ram, and so even if they could run CUDA, they certainly wouldn’t run resolve 10 very stably.
You’ve got two choices: 1) find a working/stable config and lock your system down into turnkey solution. (There are still running avids using legacy hardware and OS 9!) I’d look at 10.8.4/5 and resolve 9 as the highest. Or… 2) upgrade your gpu.
This is the nature of the technology beast, it keeps rolling on with or without you.
https://JuanSalvo.com
https://theColourSpace.com -
You joke about the log-vid setup. But I once found myself watching a program I knew to be flat on my set at home, and was surprised that the image looked surprisingly normal. I thought maybe the producers had decided to change direction. And then I checked my sets settings and found they’d gotten a bit reset, and a dynamic contrast function had been enabled. 🙁
https://JuanSalvo.com
https://theColourSpace.com -