Forum Replies Created
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Juan Salvo
November 7, 2014 at 6:00 am in reply to: Trouble Transporting Project File Between ComputersAs far as bringing the media, you’re on your own. Same as you would be in an NLE or a compositing program. The project is your work, not the media it’s done on.
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It’s not the tool that’s wrong but the hardware you’re running it on. There is a resolve config guide for Mac and one for windows that you may want to take a look at. Sounds like your windows doesn’t have a support GPU, and your Mac resolution is set too low.
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Juan Salvo
October 27, 2014 at 11:42 pm in reply to: Display Broadcast Safe Exceptions – how conservative?Legalization lies not in the saturation or luminance but in the cross over between the two. FWIW 0-100 is VERY conservative and I don’t know of any broadcaster today that requires that. The mid step legalization should be enough for almost all broadcast.
https://JuanSalvo.com
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Juan Salvo
October 27, 2014 at 10:35 pm in reply to: Display Broadcast Safe Exceptions – how conservative?The conservativeness of the legalizer in resolve is set in the project settings page. Legalizing is about more than mantaining video scaled signal.
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Juan Salvo
October 27, 2014 at 9:25 pm in reply to: FCPX XML to DaVinci 10 – Difficulty with remote clip (through edit) recognitionI think what you need to do is uncheck us local grades and check the match media pool to master timeline options, before import and conform. Also make sure your clips aren’t being treated as subclips or compound clips.
https://JuanSalvo.com
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Juan Salvo
October 22, 2014 at 7:16 pm in reply to: Clip attributes for logC material: Video or data level?[Guillaume Cottin] ” All ProRes codecs are by definition Legal range”
Not quite. RGB containers like ProRes4444 actually generally expect a full/data range signal. YUV containers, like ProRes422 OTOH, generally expect a Legal/scaled signal.
https://JuanSalvo.com
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Before you bring in media and try to do the conform, in the project settings, under conform options set it to “use timecode: from the source clip frame count”. But be warned you will be doing a lot of conflict resolution in your conform, as basically all of your clips will have overlapping timecode.
https://JuanSalvo.com
https://theColourSpace.com -
I think the thing you’re missing is timecode. The force conform, forces the use of a particulaly clip, but if the clips TimeCode extents don’t match the edit, it won’t be able to link to the right part of the shot.
https://JuanSalvo.com
https://theColourSpace.com -
[Rick Lang] “the computer comes with a free factory calibrated”
Every monitor is “Factory Calibrated” this doesn’t really mean much.
[Rick Lang] “the R9 R295X 4GB GPU provides an amazing 3.5 teraflops”
But there’s only one of them and running that 5K display will certainly consume a significant amount of those measly 4GB of RAM.
[Rick Lang] “intel Quick Sync does offer superior H.264 (also H.265?) decoding and encoding”
Maybe in speed, but absolutely not in quality.
https://JuanSalvo.com
https://theColourSpace.com