Forum Replies Created

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  • I’d love to see a screenshot of the timeline & composition – but some questions.

    What’s the blending mode on the graphic? Is there something covering it? Is it, assumedly, a clean alpha in AE?
    Does the same thing happen with a Garbage Matte instead of Crop?

    Once it finishes its fade, does it look normal?

    Jordan Q
    If I’m posting a question, it means I’ve Googled it for far too long and couldn’t find a solution/answer.

  • Jordan Quackenbush

    June 5, 2015 at 7:03 pm in reply to: Creating a Masked Crop Effect Template

    What about just exporting the video from Premiere without any crop, then just mask it in AE?

    Jordan Q
    If I’m posting a question, it means I’ve Googled it for far too long and couldn’t find a solution/answer.

  • Jordan Quackenbush

    June 5, 2015 at 6:58 pm in reply to: Creating a Masked Crop Effect Template

    What is the purpose of the crop? Graphics from underneath? Graphics above?

    Since you need a consistent crop on unconsistent footage (scales/repositions), then what is the consistent – a graphics overlay, etc.? Can you do what is needed on that track/footage/graphic, and get the effect you want without touching the footage itself?

    Jordan Q
    If I’m posting a question, it means I’ve Googled it for far too long and couldn’t find a solution/answer.

  • Jordan Quackenbush

    October 16, 2013 at 2:20 pm in reply to: Swap Layer Source

    So I know this is over 3 years, so apologies for resurrecting the dead. Just wanted to post in case someone else finds this via Google like I did.

    In regards to Aza’s question, where if you have a smaller footage layer, such as a comp from iStock, and want to replace it in your final output after client approval, etc., then pre-comp your footage, leave attributes, and then replace it within the pre-comp. Scale it down there, etc., and then in your main comp it’ll be golden, barring any crazy pre-comping that’s already present – even then if you go to the base footage layer, you should be fine.

  • Jordan Quackenbush

    January 24, 2013 at 12:05 am in reply to: Motion stabilization with no anchor point

    Ah! Thanks for sorting me out on that.

    And I heard through the grapevine that Kylene got it sorted out. She didn’t have 5.5, but *cough* Final Cut and used its equivalent.

  • Jordan Quackenbush

    January 23, 2013 at 11:41 am in reply to: Motion stabilization with no anchor point

    What software version do you have? Have you tried using Warp Stabilizer from premiere cs5.5 or later or after effects CS6?

  • Jordan Quackenbush

    December 21, 2011 at 2:39 pm in reply to: FCP Footage Chroma/Redness Issues on Import

    Here is a screen capture of the footage with Quicktime 7 Pro, Log & Transfer, and then FCP Viewer. Overly saturated in Viewer, despite looking at the same exact file with no filters.

    https://imageshack.us/photo/my-images/209/footageshift.png/

  • Jordan Quackenbush

    May 9, 2011 at 4:41 pm in reply to: CS5.5 Initial Thoughts

    Should be a click-drag of the CS5’s plug-in folder to the 5.5 plugin folder, and hit Cmd-Alt before releasing. Creates a shortcut/alias.

  • Jordan Quackenbush

    May 9, 2011 at 2:31 pm in reply to: Trapcode and CS5.5

    Though I don’t have 5.5, and can’t verify this for sure, Todd Kopriva talks about using a shortcut to the old CS5 folder in this thread:

    https://forums.creativecow.net/readpost/2/1000076

    Might work for Trapcode?

  • Jordan Quackenbush

    May 9, 2011 at 2:26 pm in reply to: CS5.5 Initial Thoughts

    Todd meant he created a shortcut within the 5.5 folder that points to the 5 folder’s plugin, if I read it correctly.

    The new features don’t necessarily help my company & what we do (though the warp stabilizer is tempting), so I was not in favor of upgrading. Thank you, Kevin, for a good overview so I know from someone who has used it that I’ll survive till Production Premium 6.0.

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