Jonathan Shohet
Forum Replies Created
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anyone??
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No, I’m not having any issues, but I am working frequently with lots of layers , effects and high resolution targa sequences.
I know that I’ll eventually need a fast raid setup but I can’t afford one right now.
I was just wondering if the Raptor would be put to better use as a scratch disk instead of a system disk or not (74GB is too small to use as a capture disk), that’s all 🙂 -
For hebrew there is a free program. Once installed, if you highlight hebrew text and press F6 it corrects the direction. It works within premiere great. The problem is that installation and menues are in hebrew. Also I don’t know if it will work for any right-to-left language or just hebrew.
I tried googling around a bit but couldn’t find a similar program for arabic, but maybe there is…
In any case here is the link for the hebrew one:https://www.freeware.co.il/hebrew/
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Thanks very much for all your input…
I remember reading somewhere that the luminance in an RGB image is determined according to the ratio of 0.29 R 0.59 G 0.12 B
Is that ratio relevant to B&W conversion through the channel mixer?Also, I wanted to know if you guys use any grain\noise effect after the color conversion itself to achieve a more film-like feel.
Jon
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Could it be that you are highlighting ALL the jpg’s you want to import?
You just need to highlight the first one then check “numbered stills”.
Also, if possible, Targa or Tiff sequences are preferred formats as they are not compressed as jpg’s. -
make sure all your images have the same filename + sequential numbers ( image001, image002, image003 and so on) and when importing just choose the first image and check the “Numbered Stills” option on the bottom of the import window.
Your image sequence will now be imported as a movie clip with each image as a single frame. -
When you mark in and out points within a large clip, instead of dragging to a sequence, you can choose “make subclip” from the Clip menu.
This will create a new virtual clip based on your in and out points in the project window. Now you can easily rename these new subclips, organize them in bins and add comments to them in the project window.If the comments columns in the project window aren’t detailed enough for you (Scene, shot\take, etc. ) you can add your own custom columns by pressing the small triangle button in the upper right corner of the project window and choosing “Edit Columns”. This also allows you to rearrange the order of the columns to your liking.
You can also mark in and out points on a clip using markers instead of in and out points. This way you can mark multiple in and out points on the same clip.
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thanks, harm
I suspected as much, and will take your advice for future projects.
However it is not an option for the current project.
So, is the deinterlacing option that bad?
I’m willing to accept the loss of resolution, if that’s the only problem, as it is still better than having those terrible unwatchable jitters on slo-mo clips…. -
Hi Vince, thanks again.
I have to insist, though, that most clips whose duration I stretched in Premiere look terrible after I export them to dvd or tape. I don’t think the projector will fix this once the damage is already done.
If deinterlacing these clips is not the way, what else can be done? -
Thanks for the feedback, guys.
I did not de-interlace the entire film, as you suggested.I did choose “Always Deinterlace” for all the clips whose duration I stretched below 100%, and removed frame blending for all the clips whose duration I stretched above 100%.
This the only way I could find to remove the interlace jittering these clips exhibited.Am I missing some better way to correct this, without the loss of resolution that occurs with deinterlacing?