Jonathan Reed
11
After Effects Coins
55
COW Coins
53
Premiere Pro Coins
Forum Replies Created
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Alpha Expansion is 0
Fill Method Is Surface
Lighting Correction is off
Range is Work Area.
Cloak Version 3.1.0
Output Location
Path Type Project Relative
Path ./Fils
Create Photoshop Reference Frame is clicked.
I hope this answers your question.
I don’t have a lot of experience with Photoshop. Sorry.
JR
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I’m not able to afford Mocha but it looks awesome!
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It’s still the same fuzz. What confuses me is I’ve seen this work on youtube tutorials where people are removed so the intricate breaking of an ocean tide can be shown. So why can’t this program do this carpet. Then again, I could be missing something.
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I exported the final clip, of the man running to 23.976, I then put it in a sequence 23.976fps. The scale 100 works fine enough, scale 300 is glitchy as all hell.
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Would transcoding the videos to the same FPS help or will that just maintain the problem?
I know working with the same fps is the ideal goal, however, the video i have now ranges from 23.97, 24.01, 25, and 30FPS
My sequence settings have my FPS at 23.97 export is the same.
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thank you so much, the clients wants the brighter shot to look like the darker sit down shot. This is what they want.
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You are 10,000% right. It’s what I’m finding out. I’ve recently gotten out of college. Prior to that, I had 10+ years of video editing under my belt.
I started my own business remote Editing and added Color Grading, audio mixing, and basic VFX to it. I’d found a lot of jobs needed people who could do more than one thing. So I took classes to learn and grow. I had been doing color grading in Premiere and had recently purchased Davinci. I’m not to pigheaded or proud to say that I wasn’t prepared for the extreme depth this program offers in color grading. I guess in a way, I got into the car not expecting it to be a F1 car.
That being said, I thank you for your honest and very direct feedback. I appreciate it. I had already come to the decision that my next project would be STRICTLY editing while I did more personal color grading, foley work for practice and gain a more in-depth knowledge than what I had in college.
Again, thank you.
JR -
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Yes sir. And i’m using Dynamic not Static keyframe too. But it’s still acting like a Static Keyframe.
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I am using the particle emitter. I did the “Track Camera” on the source clip. Detailed analysis and Solve Method Typical. I created a solid following the tracker points around the gun barrel. I just can’t get the emitter to motion track with the tracker points that are attached to the gun barrel.