[Jonas Espinoza]

chris-
i would be interested in seeing anything you have lense flare related. love the cow

[Jonas Espinoza]

what i mean by organically is having the interact with the foreground and come from lights in the source. check out the moby- southside video on joseph kahn.com

https://josephkahn.com/music/index.xml

thanks- hope this isnt a redundant question, i checked the archives.

[Jonas Espinoza]

usually we deliver in beta SP, which is why i have the decklink SP. for this particularly, I’m all about making this spot as clean looking as possible. thanks for always having good input. cheers

[Jonas Espinoza]

you reply fast man,
anamorphic flares are exactly what im talking about. probably use screen mode. will that technique have an “organic” look to it?

[Jonas Espinoza]

thanks
what would you say would be the best way to junp back to SD from the DVCPROHD timeline? would it just be a QT export out of final cut to an anamorphic 10 bit file?

also, for anyone else out there with their own home edit suite, is renting higher end decks just part of the equation? also on deliverables, we have comcast out here, and it seems like for local stuff, which is my bread and butter, always seems to degrade a notch. do the national spots have a completely different deliverables system?

anyway, thanks again

[Jonas Espinoza]

another question is about paths. say, for trapcode 3d stroke, is there a way to bring in paths from illustrator?

[Jonas Espinoza]

am i special or what, i could only find thgis in illustrator. im not seeing it in PS. what im trying to do is scale the patten fill behind or within the selection area that im pasting in. anyway, for some reason, im kind of gimpy on this.

thanks

[Jonas Espinoza]

i think this is what i need, but im not clear where i find the transform palette, i probably just dont think of it as that name. sorry to have to ask an interface? but this is something i really need to grasp. thanks for taking the time ; )

[Jonas Espinoza]

create a solid the same size as the layer, paste that mask on, make it invisible remove the mask from the main layer and set the track mask to the muted solid with the mask applied.

[Jonas Espinoza]

are permissions exclusive, or is there a way to chill them to where i can pretty much do whatever i wanted with user 2? i’ll try the workaround you talked about, ever since DOS phased out when i was a kid, i’m not really command line savvy.

thanks for the quick help!