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  • Jonas Espinoza

    May 24, 2005 at 5:57 am in reply to: PAn and scan 16:9 footage

    try this in after effects, it’s a bit more smooth and the options are at your fingertips. final cut will most likely make it look like the pan and scans we all hate from cable tv. plus the render que is more customizable. if not good luck in final cut and with your proj…peace

  • its not drift im worried about. with dv it seems to often be running timecode so as soon as the thing starts actually recording during the dub, thats when it thinks its 00;00.

    i just havent seen the telecine set-up and have no idea how the dv deck was slaved during the dub… the dv i’m getting for starters is just a client copy. but in your experience the dv that comes with a digibeta dub is frame for frame the same as the master?

    add to that the fact that for our working/capture we will have to get a betaSP dub of the digibeta telecine master, is that the way they do it is when they make dubs, it is literally a TC slaved dub?

    the digibeta and dv are already done, the BetaSP copy will be made so as to be able to use the deck i have access to at work. youre telling me that i can trust the timecode on the dv and just recapture via the 9-pin of the uncompressed capture card.

  • is that true? this is a dv copy of the master digibeta telecine, the other concern is that when we get our working copy on betasp to capture uncompressed that will be another generation that could have timecode issues? do all dub facilities put out dv, analog betasp and digibeta clones of each other with frame accurate timecode? does this question make sense?

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