John Tissavary
Forum Replies Created
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I used the Tangent VS recently while I was working on a doc in Colorado and couldn’t get my hands on a control surface… to my shock and surprise, I really liked it. True I had to glance down at times (not for balls though – pretty big target). For me it beat the pants off a mouse in Resolve.
John Tissavary
colorist
The Post Collective NYC -
Don’t do it yet. 10.10 works fine, Resolve works fine, but CUDA does not. I don’t know if it’s the case on EVERY install of 10.10, but mine and many others reporting this. Had to step back to 10.9.5 while I wait for Nvidia to fix this.
John Tissavary
colorist
The Post Collective NYC -
Thanks – yes, I’m pretty much done. Ended up using ‘element vs’ on iPad, worked surprisingly well.
John Tissavary
colorist
The Post Collective NYC -
+1
John Tissavary
colorist
Gramercy Park Studios NYC -
Hi Roman! +1 on groups, been asking for that every since I first started using groups. Useless feature without it.
cheers,
JT
John Tissavary
colorist
Gramercy Park Studios NYC -
The only way to manage large projects, in my opinion, is to split them into ‘reels’, which is a longstanding tradition in longform color correction (at least here in US). I usually do 20 minute reels (legacy from when film print reels were 20 min), no problems with lagginess.
JT
John Tissavary | colorist | owner
The Post Collective -
I do a lot of commercial grading and finishing, too. We easily have 6 or 7 versions for the first distribution (:15, :20, :30, :60, agency cut, broadcast, 4:3, ad nauseum…), then it typically grows to 15 – 30 versions with different end tags, languages, etc… for various markets.
Because there is no way to export and import timelines from one project to another, it is only manageable to do all this in one project and be sure that very version is up to date, but the timeline window interface makes it too difficult to work this way. I use leading underscores to try and help visually, but there are still too many timelines to scroll through to find the one you’re looking for.
John Tissavary | colorist | owner
The Post Collective -
+1000
I requested this some time ago, got a follow up e-mail from Peter Chamberlain asking how I’d use this, so hopefully that means it’s something they’re looking into.
John Tissavary | colorist | owner
The Post Collective -
Settings > Color > uncheck ‘Use local version for new clips in timeline’
John
John Tissavary | colorist | owner
The Post Collective -
Page 167 of the DaVinci Resolve V10 manual tells you everything you need to know to get master timelines in your vl0 project.
John
John Tissavary | colorist | owner
The Post Collective