Forum Replies Created

Page 318 of 374
  • John Cuevas

    January 12, 2012 at 2:06 pm in reply to: add video to a wall

    Is that an ink flow? Generally those are over black, if so, I would attempt building an alpha for it. One effective way to do that is with the handy little “Unmult” plugin. It’s free, you can find it at the bottom of the page here:

    https://www.redgiantsoftware.com/products/free/

    If that isn’t a black background, but a white background, I would probably use the Keying > Luma Key effect and “Key out Brighter”, that will remove a white background.

    After that, I would apply a blending mode.

    One other thing that will sell an effect like that is to duplicate the video, make a precomp of the duplicated video, desaturate it and increase the contrast.

    Then to your ink layers add Distort > Displacement effect and displace a tiny amount. It will look like the ink flows are being affected by the bricks in the wall.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 12, 2012 at 1:07 pm in reply to: add video to a wall

    Could you repost a picture showing the “harsh boxes”? It will be easier to diagnose and offer solutions if we can see exactly where the problem lies.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 12, 2012 at 1:03 pm in reply to: AE lossless export 5D footage to AVID

    My workflow to Avid is to render to the Avid DNxHD codecs. It’s what the Avid is going to trancode your footage to enventually, plus you get the benefit of fast import.

    If you don’t have the codecs installed, you can get them here:
    https://avid.custkb.com/avid/app/selfservice/search.jsp?DocId=263545

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 9, 2012 at 3:25 pm in reply to: Ahron’s lip synching tutorial

    In the final comp(Mr. Face) he selects the mouth layer and enables time remapping(cntl+alt+t). This allows for the layer to be longer than 8 frames.

    AFter that he uses hold keyframes to move between the different mouths as the speaker speaks.

    If you go back to about 6:20 in the tutorial, that’s where he explains about how he acccomplished time remappinng the layer.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 9, 2012 at 2:18 pm in reply to: Ahron’s lip synching tutorial

    Link to the tutorial please, I’m not familiar with that one.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 8, 2012 at 8:47 pm in reply to: After Effects – Trapcode Particular + rotobrush

    Take your rotobrushed layer and precomp and make sure you select “move all atributes into new compostions”. Now in your final comp, turn your precomped layer into a 3d layer.

    Particular can act a little strange sometimes if you have already made selections, so it might be easier to just reset your particular settings and delete anything extra it created(lights that have been created named Obscure). So starting from scratch, under the visibility settings choose the precomp as a obscuration layer. You should be able to tie your emitter to a light now, circle around your subject and be good to go.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 8, 2012 at 8:12 pm in reply to: Animating static text

    I would precomp them into position, then use the puppet tool to animate the blink.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 7, 2012 at 11:57 pm in reply to: I really love this style of Type Design.

    There are a few different ways one could make this look, but here’s one recipe. Create your text and using hold keyframes, animate the scale and position very quickly. Use 3 or 4 keyframes, so it jumps from frame to frame, changing the position and scale…use your own judgement.

    Add an adjustment layer and add the effect Distort > Turbulent Displacement. Change the displacement to horizontal and adjust the amount, size and complexity, keyframe the evolution. Now just add some masks to the adjusment layer, so the effect is only on a portion of your text. Also in the video it looks like he added some subtraction masks to the text itself to make some of it disappear.

    I made a quick little project showing you what I did, hope it helps.

    3507_distressedtext.aep.zip

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 7, 2012 at 11:27 pm in reply to: After Effects – Trapcode Particular + rotobrush

    Can you upload the .aep file so I can take a look at what you did. I’m having a little trouble understanding exactly what you aren’t getting to work. I have particular 2 and don’t need your footage.

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

  • John Cuevas

    January 7, 2012 at 11:12 pm in reply to: AE Edit Name prob

    Here you go.

    I just uploaded the project files and not all the assets. So all you need to do is take this file and put it in the folder where the original .aep file is located. This will replace that one and should link up correctly.

    3505_3dlogorevialprerender.aep.zip

    Johnny Cuevas, Editor
    Thinkck.com

    “I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work.”
    —THOMAS EDISON on inventing the light bulb.

Page 318 of 374

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