Joe Feng
Forum Replies Created
-
Scott,
Here’s what I did to get the exporter back inside FCP. I went to the suite next door, which still runs CS3, and copied the file named “FLV.component” (found under Library/Quicktime/) and simply put it in the corresponding folder on my box, restarted FCP, and voila, everything is back to normal!
Hope this helps.
Joe
-
Yes, I know that CS3 installed the exporter, but CS4 didn’t. Was hoping that some other Final Cut users might be able to give me some pointers on how to get it back.
-
So, you’re saying I should bring my broken VW to a Buick dealer? My head is hurting…
Seriously though, the issue I’m having is inside Final Cut Pro, so I thought the logical place to post the question would be the Final Cut Pro forum, no?
-
I’m using Final Cut Pro though…
-
Can you right-click on your effect in the layers pallette and choose “create layers” for your bevel, and then do the merge?
-
We have a new suite with an Avid Media Composer Adrenaline here running a G5. It is not very stable and Avid tech support has not been as helpful as they should be.
I’m on an Avid right now, but boy, do I miss FCP.
If you’re Mac-based, and already running FCP, I simply don’t see why you’d want to make the switch. If you really, really feel the need to upgrade, upgrade to the new Intel Macs and get the Universal Version of FCP Studio 5.1 upgrade for as little as $99, depending on what version you currently have.
Next time your clients ask you about Avid vs. FCP, tell them that Oscar-winning feature editors are starting to learn Final Cut. And I’m not making this up.
-
I’ve run into this once before. I think I just added a small blur to the floor plate and it helped some. You can probably just blur out the far portion of the image, where it meets the horizon, so you do lose detail in the foreground. I’d do the blur in Photoshop, so AE doesn’t have to render it. Don’t know if it’ll work for sure, but worth a shot.
-
Yeah, it is interesting how color correction responsibilities shift from the DP to the editor in video…
I’m not too sure what you mean by the film editor being responsible for shots being in focus…On a film, the First AC is the one in charge of keeping shots in focus. If, in post, there’s a lot of soft shots, the AC’s never gonna work in town again! Or did you mean that the editor has to make sure that he does not use those soft shots caused by the bad AC?
-
Of course the DI is taken care of by the DP…It is the DP’s responsibility to set the look of the images, not the editor’s.
As for the film vs. video editor question, I think it entirely depends on which definition of the word “film” you believe in. I believe that it refers to the art form, not the medium. So, you can be editing “video” and be a film editor, or, inversely, editing “film” and still be a video editor. 🙂
-
Is this the first time you’ve tried to build a disc from this project, or have you burned a disc before and then made changes to the project?