Jim Wilcox
Forum Replies Created
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Hey Jeremy,
We have tried several whites with similar result. We also took out betacam and the 2000 outside on a sunny day with a white card and got different results with both cameras with the 2000 still reading about 1600K higher. Its quite strange to get something this out of whack with known sources (the kino flos with 5500K lamps for example).
Any other thoughts/suggestions would be much appreciated.
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We are just shooting preset, but we can dial it in anyway we want with c.temp. Its just that it seems like the camera is not accurately judging color temp about 3200K.
just bizarre…
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We’re in Filter 3, happens with both A&B ATW is off. No changes to paint control. Anything else to check?
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Couldn’t agree more. Its just these guys aren’t buying footage with “the black bars on the sides” oh well, guess we won’t be selling them any of our beta stock from the last 20 years…
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So, is there any way (other than a resize following capture) to get this material digitized without this issue (SDI converter etc…) ?
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Dave,
Your analogies always crack me up! But I’m the guy who opens up the diff to see how it works (and hope I can put it back the way I found it before my wife needs the car). Seriously, if Adobe says you can work with native p2 (and I happily do every day, this issue not withstanding) then I guess it seems like this shouldn’t be happening, or at least someone should be looking into why it does…
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Dave,
I am on a mac too, and could give Windows cluelessness a run for its money. Just seems like its a file (just like a transcoded file out of L&T). Got to at least be a reason why this is happening.
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Edward,
Thanks for the info!
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Serge,
Thanks for the info. I am on a mac, but I found where the custom edge doc is that is being read. Considering how you install the invig plug, how does that even get there?
Jim
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Unless you shot 24Pn, you are at 59.94, which is why that footage wants to be in a 59.94 timeline. 24 P and 24 Pn are different in that with 24Pn you have actually recorded only those 24 frames. With 24P the additional frames are actually recorded into the 59.94 stream, but flagged. That is why you get additional record times on you P2 cards when you are recording 24Pn.