Jeremy Garchow
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Forum Replies Created
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A compound also works, but a secondary might be better as you can adjust without opening the compound, and you can achieve the same thing.
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Put the music in a secondary storyline, and attach it to a point in the timeline before the clip you want to delete.
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LE does not trim the media, so you are providing all of the media. The full version allows trimming of the media plus a user specified handle length, which cuts down the file size.
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MochaPro is fantastic for tracking/roto
Mocha technology is present in an FCPX plugin called Track X (and Slice X).
Mocha combined with after effects or another composting application will offer the most flexibility, but it’s a fairly steep learning curve.
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To add to what Oliver is saying, you can still shoot and grade footage in 709. We do it everyday.
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BTW, for the late adopters, this release requires High Sierra.
🙂
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Are you saying you want to move the mixer around?
I’m a bit unsure of what you are trying to do. From what I can gather, you want to separate the mixer from the background which is the desk, box, and wall?
A difference mask may help, but it won’t be all you will need.
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[Doug Metz] “I think Lisa wants to alter the default behavior of the audio handles themselves, instead of having to right-click and select the preferred curve.”
Ah yes.
If true, that is something that would make a great feature request.
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Try optimizing that one clip.
Right click and choose to Transcode media > optimize.
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I routinely work with mobile and desktop setups. I usually keep a copy of media on a portable drive and SAN synced with chronosync. Keeping everything on one drive has a bit of an advantage in that it’s easoer to manage, but performance may not always be optimal.
As far as safety, having a portable and desktop setup is more safe as everything is in two places at least.
Chronosync, or similar, helps keep all the media and versions in sync between disparate drives.