[Jeremy Garchow]

Try dragging the file off of the external on to your internal and open from there.

———–
G5 Dual 2Ghz <> 4GB RAM <> FCP 4.5 <> Kona 2

ATTO 42XS <> Huge Systems 1.25 TB 4105 Fibre

[Jeremy Garchow]

One way is to select a clip into the viewer, hit the motion tab, twirl down the distort options, and set the aspect to -33.

Is your footage 4:3 true anamorphic, or is it digital anamorphic ie from a dv camera such as a pd 150?

i did this very same process today with 4:3 anamorphic footage (downconverted from HD).

———–
G5 Dual 2Ghz <> 4GB RAM <> FCP 4.5 <> Kona 2

ATTO 42XS <> Huge Systems 1.25 TB 4105 Fibre

[Jeremy Garchow]

Hey Matt. A rerender fixed it. is there anyway to avoid this to be safe? Should I justclose/reopen before doing any serious renders?

Thanks for your time.

Jeremy

[Jeremy Garchow]

[Jeremy Garchow]

[Jeremy Garchow]

Hey Matt. I am rerendering the problem section as we speak. I sent you the project file as a zip.

Cheers.

Jeremy

PS. i just received your second post, you should now have it at both addresses 🙂

———–
G5 Dual 2Ghz <> 4GB RAM <> FCP 4.5 <> Kona 2

ATTO 42XS <> Huge Systems 1.25 TB 4105 Fibre

[Jeremy Garchow]

[Jeremy Garchow]

[Jeremy Garchow]

https://www.wiebetech.com/products/satadock.php

It’s not cheap, or very elegant, but it will do what you need it to do

———–
G5 Dual 2Ghz <> 4GB RAM <> FCP 4.5 <> Kona 2

ATTO 42XS <> Huge Systems 1.25 TB 4105 Fibre

[Jeremy Garchow]

I think that depends on your capture card Andrew (whether or not the ‘flagged’ frames will be removed on capture). I’m not for sure, but I think Aurora is the only capture card that can remove 3:2 pulldown on the fly. I just completed a project on an SDX (we didn’t have your slow motion requirements) and we ended up deciding to shot 24pN (29.97 editing timebase). I have a Kona 2 and I called AJA and asked them if the K2 would be able to remove any pulldown (3:2 or advanced) on the fly. They said it is possible to remove advanced pulldown by tweaking some settings, but there’s a huge caveat. You have to make sure that the start frame of every capture is on an A frame. I simply did not have the time or quite honestly, the patience to make sure that every frame of my capture was starting on a A frame. What capture card do you have?

If 80% of this video is going to be slow motion, I would suggest twixtor for the best results. Also, here’s a link on how to use 60i footage to make slo 24p footage out of after effects:

https://www.rarevision.com/articles/slow_motion.php#

Break a leg out there

Jeremy

———–
G5 Dual 2Ghz <> 4GB RAM <> FCP 4.5 <> Kona 2

ATTO 42XS <> Huge Systems 1.25 TB 4105 Fibre