Forum Replies Created
July 24, 2021 at 7:03 am
+1 on Neat Video
December 3, 2013 at 2:25 pm
Thanks for the info guys. I’m looking at this card:
960 CUDA Cores
2GB 192-bit GDDR5
PCI Express 3.0 x16
From what I can tell the $500 cards have just a slight performance advantage over this one.
September 1, 2013 at 6:27 pm
August 20, 2013 at 7:39 pm
It looks like I might be a version behind on my Kona LHe driver. Downloading now, hoping that will do the trick.
August 19, 2013 at 9:03 pm
The problem is back and changing my in’s and out’s and my eyeballs isn’t working. I really don’t think it’s a drive speed issue. I have separate 7200 internal drives for the OS and the media as I’ve never had any problems with playback on past projects h264, pro res, or even R3D for the most part. I think it’s a bug in premiere. I tried opening another project with only a couple of clips on the timeline and it has the same issue.
August 15, 2013 at 4:41 pm
no, pro res 422LT on an internal 7200 drive.
August 15, 2013 at 4:40 pm
toggling the eyballs off and on seems to have worked! Or the ghost has left the building again. Thanks for your help!
August 15, 2013 at 4:38 pm
Hi Eric, thanks for responding. The MPE is set to Software only (I don’t have an extra cuda card). If I try to play the timeline or a window the play icon turns from play to stop like it would (if it was playing) but the scrubber bar does not move and there is no audio or video. I should also be clear, the playback did work until recently. I also have not done any updates or setting changes since things were working 100%.
August 7, 2013 at 1:22 am
Thanks Jake! I’ll give this a shot!
August 26, 2011 at 2:15 am
YES, I was skeptical at first as well. It doubles your data rate but you can shoot 720p at 59.94. You have to slow it down in cinema tools just like you would with a 7d or a 5d. You get sound but it doubles your data rate to about 14 mb/sec. It is super handy for doing what we do in the field when action is the first priority but you might miss a good soundbyte or natural audio. Your 180 shutter goes out the window but its less important to us than getting the slow mo and audio. If there are any other drawbacks I’ve yet to see them. If its a no brainer slow mo shot we’ll shoot 60p or if its an interview we’ll shoot 29.97. The company I work for has about 20+ shows to broadcast (cable) using this method.
I’m just trying to figure out why cinema tools is giving me grief.