Jd Marlow
Forum Replies Created
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Indeed I am seeing a number 2. It has interrupted attempted archiving 3 times so far, so I am not optimistic it will go away on its own. I have reached out to MLogic support.
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I have recently purchased a LTO-9 half height SAS drive from MLogic and have done about a dozen archives so far without any issues. Last weekend I started getting this error code 2. It won’t go away. I cannot run any complete archives anymore without getting interrupted with this error.
Has anybody gotten to the bottom of what causes it or how to resolve? I have reached out to MLogic support in the mean time.
Thank you.
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Just as a test, I created a project with all of our media clips in it but every single CUT sequence removed from the project. ZERO problems importing. Fast, quick, doesn’t hang up. This is definitely interesting, and at least points to how many sequences we have, or what is on those sequences.
We have been doing a lot of individual clip color correcting in our edit. Nearly every sequence has a LUT on most clips or some kind of correction. We will do some further testing, to make sure it’s not specific effects that are bogging the system down, but this at least gives us a direction to head in.
Thanks for suggesting this!
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com -
Or create an Adjustment layer you add to timeline before export. AME watermarking works, too.
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com -
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What is the source codec of your footage? You don’t gain anything by making it Uncompressed, unless the source was Uncompressed.
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com -
Does anyone know if this functionality has changed in the latest version of Premiere CC? It’s something I’m looking to be able to accomplish with exporting custom metadata columns to a CSV.
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com -
I can’t speak to a Mac Pro 1,1….I’m on a Mac Pro 4,1 but I’m happily working on MC 7.0.4.2 with Lion 10.7.5.
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com -
Michael,
This was direct from Avid GUI Record Monitor. Full 10-bit Green going out as well to my Panasonic 55″ Plasma in both “i” and “p” projects. I was afraid of what Shane is saying…sounds like we’ll have to blur these to death.
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com -
I would run the DPX through After Effects first to create DNX 444 or DNX 220x/175x to bring into Media Composer. Or, if your online house is conforming the project, have them handle bringing in the DPX sequence.
JD Marlow
jd@jdmarlow.com
http://www.jdmarlow.com