[Javier Sanchez]

🙂 it’s directly on the main monitor of the MacBook Pro mid2010 2,66ghz i7 8ram.1440×900
I will have to return to FCP7 which is working fine

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

thats the weird think it’s not on the vectorscope or parade neither on the renders. Even if i go one frame on and then go back it’s no constant. is like this frame yes, this frame no, this frame was but now no… and on play is like solarization disco party…

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

I thought it was the icc i have but i set to the default and same issue…

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

It happen to me some times and then i realize that those files name had “:” or “ñ” look at this.
i get those problems on render when selecting use source name.

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

Well is easy then: on the media pool, right clic on the file> clip atribute>Video>pixel aspect ratio> try cinemascope (it work for me) if not there is 16mm anamo or 35mm anamo.

Regards

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

wich version of resolve do you have?
yesterday i get a project on anamorphic lens, and is already out, but i need to know if you are on v9.

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

As some times the told me on forums: “RDFM”

but as i don’t like when they do that i re write the manual for you:

REDlog: A logarithmic gamma setting that maps the original 12-bit R3D image data to
a 10-bit curve. The blacks and midtones occupying the lowest 8 bits of the video signal
maintain the same precision as in the original 12-bit data, while the highlights that
occupy the highest 4 bits are compressed. While reducing the precision of highlight
detail, the tradeoff is that there’s an abundance of precision throughout the rest of the
signal. This is a good setting for maintaining maximum latitude.

REDlog Film: An improved logarithmic gamma setting that’s designed to remap the
original 12-bit R3D data to the standard Cineon gamma curve. This setting produces
flat-contrast image data that preserves image detail with a wide latitude for adjustment,
and is compatible with log workflows intended for film output.

Hope it help 🙂

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

We feel the same, an we use ir a lot.

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

Right the best, support from davincihelp, always asking Dwaine on mail to help with some issues, but since one week no answer in to the mail 🙁

Javier Sanchez
Head Of Technology
Gama Digital

[Javier Sanchez]

I hope beta means “we will listen users”

Javier Sanchez
Head Of Technology
Gama Digital