Jason Fisher
Forum Replies Created
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Oh yes, I use FCP, and the audio and picture is already cut. I just wondered if there was a quick way to do a final audio mix.
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These days the rule of thumb is always to shoot your footage clean and flat. Trying to get an effect in camera means you have no latitude in post and your stuck with something that may not be quite right.
So expose correctly on the day, then you could simply use Levels and Hue/Saturation in After Effects for that particular effect.
Otherwise Color has much broader controls for fine tuning a look.
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Does that work with CS3 too?
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Dammit. Such a fundamental shortcut! That sucks. And I hadn’t realize there wasn’t a way to re-map shortcuts within the app until now.
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Thanks guys. The 3D flutter in preset with some tweaks is good start.
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Thanks for taking a look Danny. I’l try Adobe support.
On the side note, do you know why DVD SP doesn’t recognize h.264 clips?
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Generally, both! But that clip is PAL.
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Yup, I created a new project and dropped the clip straight into a new comp. Same result. It must be the way AE is interpreting it, from the way it only shows me every other frame when I step through the timeline.
Where you able to try running it through AE yourself?
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It doesn’t matter what settings I use, the result is the same. Whether I render out lossless, Sorenson or even back to h.264. The RAM preview plays at half the frame rate and rendered files do too. If I step through the timeline it only gives me every other frame.
The footage interpretation is correct and I’ve triple checked if there’s anything untoward in the render and output settings – I’m using exactly the same settings I’ve used for every job I do.
I’m baffled. The clips still play fine straight from QuickTime. If I pull in another format clip and render out with the same settings there’s no problem.