James Luckel
Forum Replies Created
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Which brings up a point about interpretation rules for footage from Media 100 in the Media100 HD codec. How should that be interpreted colorspace wise in AE. Out of the box its coming in sRGB 2.1, is that correct?
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Floh,
IF I am understanding you correctly, if you are running AE on the same workstation as M100 with an AJA card, the LUT system becomes active, but M100 does not access that portion of the AJA control?
So, you don’t really work with color management in AE, correct? I am primarily using it to apply the 16-235 at the render (SDTV 16-235 color management on my output module) to do the same thing you are accomplishing with levels.
Sounds like you are rendering into ProRes at full range and bringing that into M100 and that provides you with seemless results? I had tried that in the past and just round tripping a clip with no effects mine was not matching.
Thanks for getting into this one, I am really hoping to get more accurate results as we do quite a bit in AE.
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Yeah, 16G (6&5 are so close together on the keyboard:) ) Turns out we did have to update the camera firmware. Just figured out of the box a long time after the 16G cards came out the camera would have had current firmware. Took about an hour to do it, but no big deal.
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THis is what I have been doing. But with AE CS3, 601 luma is supposed to be detected “automatically” thru mediacore and therefore, they have removed the little “ITU-R601 Luma Levels” checkbox in intrep footage menu. But Media 100 footage is not be correctly detected, so its back to applying a levels filter to every incoming clip I guess. I am not sure how Adobe is dectecting. Bottom line is that you may not be able to protect overbrights when roundtripping thru AE?