James Barry
2
After Effects Coins
3
COW Coins
Forum Replies Created
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This should talk you through what you need, but you’ll have to be running an updated version of Premiere
https://www.youtube.com/watch?v=Z36F4bZx7a8
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Could you give us a bit more insight on your project? This “ghosting footage,” is it appearing on the master clip for your footage? Is it only appearing in your sequence? Is there footage layered onto of the clip you’re looking at in your sequence? Are there effects applied to the footage? What version of Premiere did you update from? What update do you currently have?
All of that info might be helpful to anyone trying to help. Just saying you updated and saying your footage looks like X instead of Y isn’t very much help without some more context to the issue.
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Nest the stacked sequence, right-click on the nest, go to Multi-Camera, ENABLE. You should be able to bring up the different cameras now by double clicking the Multi-Cam nest.
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Have you tried having After Effects already open with a new project and have it saved as a blank project first, then sending media to it from PP?
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Spitballing here, but try right-clicking on the media in the Project panel and click “Make Offline”. Make sure the option for “Media Files Remain on Disk” is selected. Next make a new folder outside of your Elements folder and call it something else like “Assets”. Move all your logos and textures into that folder. Next select all of your off line media in the Project panel and reconnect it to the media in the new folder. See if that works.
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Worst case scenario, you can make your own looks using Lumetri Color. Using Lumetri Color tweak your color to the look you’d like and then in the Effect Controls panel, right click on the Lumetri Color effect and click Save Preset. This way you can apply it to footage like a look.
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By shake, do you mean the BUG (logo) in the top left corner?
What are your sequence settings? What are the settings of the BUG? Is it a lossless .MOV with Alpha?
If you can supply us with more info about the file types and the sequence settings we might be able to help you better.
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There’s an app that is a bit dated but still works with the current build of Premiere, it allows you to load an XML of your final sequence, the SRT file of that sequence, and a Premiere Title Template (.prtl) and then it will export an XML of the SRT file formatted to the PRTL file. If you import that new XML it will give you your sequence with the SRT loaded into a layer above your video using the legacy version of Premiere’s title editor.
The app is called PremiereSRT and it costs $10. Which is totally worth it if you’re doing a lot of SRT importing into premiere for baked in subs.
https://www.finalsub.com/premieresrt.html
https://itunes.apple.com/us/app/premiere-srt/id993381506?mt=12
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What type of files are you editing? Are they MTS files inside of an AVCHD by chance?
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The method for ingest and organization we use for my production team is to actually grab the footage out of the AVCHD folder. This helps to prevent syncing issues within premiere and pluraleyes.
On a mac, right click the AVCHD file and click “Show Contents”, after that you’ll see a BDMV file. Do the same right click “Show Contents” step. Now you should see a folder called Stream. That’s where all your footage is.
Take that footage and move it onto your HD that you’re editing from. All your video files should show up as MTS files and listed by numerical order of shots. MTS files are viewable in finder depending on which version of OS X you have. Otherwise they can easily be opened with VLC.
Now you an drag the folder of MTS files directly into premiere and you should be good to go for editing.