[Herb Sevush]

In the timeline that your splicing into is “Audio follow video” enabled? I believe it’s in the “wrench” icon tab.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

[Trevor Asquerthian] “Also the inability to store a preset for something as basic as a compressor should be an embarrassment.”

I store compressor presets in Ppro, what are you talking about?

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

[danny fogarty] “when i try to splice an enabled multicam sequence into my timeline it splices in every track, including the disabled sync audio”

When you made your multicam which audio option did you choose “Camera 1”, “All Cameras” or “Switch Audio” ?

The reason I ask is that the behavior you just mentioned is normal for “All Cameras.”

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

Before we get too sentimental about Apple getting out of the display business, I would like to remind everyone that the power-supply-i/o-dongle that came with the Apple cinema display was perhaps the worst designed, least ergonomic piece of hardware to be created by a company not immediately going into bankruptcy in modern history. Maybe this is for the best.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

Work – 2010 Mac Pro, dual quad core, 64 gig Ram, nVidia 680 attached to a bunch of external Raid 5’s, Dual 23″ monitors and a Flanders Video Monitor.

This is my home office. I never edit on the road. I never edit with a laptop.

My home computers are Windows 10; a Dell desktop and an old HP Laptop. At one point I tried switching to OSX for home use but Quicken for Mac quickly disabused me of that notion.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

I worked with Peter Thomas in the 70’s and 80’s in New York. Back then he would come in to town about 2 or 3 days a week, setup in whatever recording studio and knock out about 8 to 10 sessions, then put on his hat and back to Connecticut. I used to say when I died I wanted to come back as a VO guy, it was really Peter Thomas I was thinking of.

One of the nicest, most civil, most pleasant people I have ever worked with. And technically there was nobody like him – he had a thin reedy voice that disappeared so that you only heard the writers words – he did not intrude on the copy. Writers loved him. And because the tonal quality of his voice was never upfront you never got tired of hearing him, he would have dozens of commercials on the air at the same time and most people never realized they were all by the same person.

There was nothing like working with him on medical narrations – he knew all the Latin based terms and their pronunciations better than the clients, and he could control his breath so that his phrasing was based on the writers content – he paused for punctuation, never for his need for air.

I was just a youngster when I worked with him but he never treated me that way – it was an honor to know him, and my best wishes go out to his family and loved ones.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

I prefer this, right at the 3:40 mark

https://www.youtube.com/watch?v=tAPv7xWQzgs

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

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[Herb Sevush]

[Andrew Kimery] “Weird, Adobe didn’t torch my workflow… Oh, that’s right I didn’t upgrade my work machine on day 1 of a new build while in the middle of a project. ;)”

And lets hear an amen to that. I never do a major upgrade without cloning my boot drive first, and that’s whether or not I opt to save old versions of the software. Just because Adobes offering an upgrade every 6 months doesn’t mean you have to hit the upgrade button every time it lights up. On the other hand the CC name and numbering conventions are mind-numbingly stupid and confusing.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

[Walter Soyka] “and now they can be made quickly and easily in video, too.”

Uh oh, as soon as they migrate this feature to Ppro I’m going to be spending half my time doing virtual cosmetic surgery on all my talent. Please keep this a secret, don’t let anyone else know.

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf

[Herb Sevush]

[Charlie Austin] “Our fearless moderator here has a different opinion… too lazy to find the thread. Also… who cares. ;-)”

Tim and Bill are the two biggest proponents of the “it was a brilliant roll-out argument” in this neck of the woods – this thread was sort of aimed in their direction.

The reason it comes up is that it is the answer to a question that often arises around here – “why do people who’ve never used it hate on X so much” and it’s corollary “why is X so slow to catch on in the broadcast/feature niche of the industry?” One of the reasons, I contend, is because of how botched up the release was and how much unnecessary additional antagonism it stirred up. Bill and Tim say nonsense – the release was perfect (from Bill this is an extension of the idea that everything from Apple is perfect.) I figure if the two most significant guys in the FCPX project (that’s Randy and Steve, not Tim and Bill) were discussing how botched up the release was, then at least that small part of the never ending argument can be put to rest.

As to who cares? – well nobody with anything better to do, that’s for sure. I’m waiting on client notes – what’s your excuse?

Herb Sevush
Zebra Productions
—————————
nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf