Forum Replies Created

Page 41 of 72
  • Harm Millaard

    May 7, 2007 at 6:34 pm in reply to: Audio Sync Problem

    It looks like you met your namesake.

  • Harm Millaard

    May 7, 2007 at 3:59 pm in reply to: Stuttering playback in timeline

    It is quite possible to combine 2 identical disks into a raid0, but that means that all data will be lost when you format the drive(s). That does not make sense at this moment with all your rushes on the current disk.

    What looks feasible is to add a 3rd disk and move all your project files, render and PEK files and media cache and scratch files to your third disk, clearing up room on the current disk and then defrag the disk.

    One other thing to look at is your video card, the 6200 is rather old. Maybe upgrading will help to improve your performance as well.

  • Harm Millaard

    May 7, 2007 at 12:40 pm in reply to: Audio Sync Problem

    Convert 44.1 to 48 KHz and use that. 32 bit is used internally by Premiere but on export it will be 48 KHz 16 bit.

  • Harm Millaard

    May 7, 2007 at 9:35 am in reply to: Stuttering playback in timeline

    PATA and SATA disk have a significant performance loss when they get filled up more than 60%. Your best bet is to add a 3rd disk to your system.

  • Harm Millaard

    May 6, 2007 at 7:16 pm in reply to: Digitising on the fly from HDV to DV

    [Alex Rinquest] “Is there a way whereby we can digitise from HDV to 16:9 Dv with Premiere Pro 1.5?”

    Use the camera to down convert.

  • Harm Millaard

    May 6, 2007 at 7:15 pm in reply to: Stuttering playback in timeline

    [Rajarshi] “Im using a 320gb SATA…of which about 290Gb is occupied with the rushes…is it because of hard disk capacity ??…”

    Yes.

  • Harm Millaard

    May 3, 2007 at 2:50 pm in reply to: Help! My client wants me to edit 24P

    If your client wants ‘film look’, you have to shoot it. Nothing done in post with frame rates will achieve the filmic look. All the hype about progressive, 24P and what else is a lot of bullsh*t it you don’t shoot the filmic look in the first place.

    You are better off with a properly shot video at 29.97 than an ordinary video shot at 24P to get the filmic look. If you are not exporting to film (the chemical one), forget about ‘creating’ a filmic look by using 24P. Playback will still be 29.97 or 60i for NTSC or 50i for PAL.

  • Harm Millaard

    May 3, 2007 at 11:17 am in reply to: capture through firewire

    It doesn’t matter what deck you use for the capture, it is just a digital transfer. The fact that the audio is too hot means it was recorded too hot. Using analog capture allows for adjustments in audio levels, not so with digital. So I think you recorded too hot.

  • Harm Millaard

    May 2, 2007 at 6:25 pm in reply to: RMVB Editor

    Try the software that came with whatever device you recorded on.

  • Harm Millaard

    May 2, 2007 at 7:58 am in reply to: Capturing video for archival purposes

    and DVD’s have a very short longevity in comparison to tape.

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