Thanks Kevin for the ideas. Sounds like there’s an avenue, via some analysis and some renaming. I’m a novice with Resolve, so I’m digging around in the right clicks for the possibilities.
As you anticipate, the project’s original selects were strung somewhat arbitrarily and each DPX folder contains a lot of shots, un-split, camera starts to camera stops, and every folder starts over with TC 00:00:00:00
So I have to come up with matching Reel names for the ProRes. I can’t even tell if the DPX contains embedded Reel names, as I don’t yet understand how this is stored or displayed. I’ll keep mucking with it, but I do see how one changes the Reel names in FCP.
I do see the setting ‘assist Reel #s using embedded’ among other choices, but I don’t see Resolve ‘assisting’ me yet! Maybe it’s telling me there’s no embedded reel name?
Is there any particular type of EDL, format or settings appropriate for this scheme?
-glabs