Gary Huff
1
COW Coin
Forum Replies Created
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That’s assuming he actually does it.
Talk is cheap.
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I can also attest that I run through miniHDMI-HDMI cables. Make sure you get them cheap!
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Strangely, apparently the VLC media player is actually the culprit here.
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[Phil Hoppes] Windows 8 IE10 will not support it and that is a significant nail for the coffin just as Apple’s refusal to put it into any iOS.
That’s only for the tablet side of IE10, not the desktop side.
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Congrats to Walter Biscardi for the positive call-out!
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[Rafael Amador] I notice is that Mr Murch is a genius of film editing, but hi is very short on technical matters. The only thing he praise a couple of times is the new “64bits” architecture. Not sure if he understand how that will help him on his editing or how that will make a difference with FCP.
Murch is quite the Apple fanboy actually, and it’s amazing how much esteem he held for the company even after his experiences in dealing with them on Cold Mountain. I was literally astounded at how the company dealt with Murch and his team on that film and yet Murch still maintained quite the enthusiasm for them. I would say that even now a lot of that remains.
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Fixing that bug must be the big update at the first of next year that was mentioned earlier…
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[Steve Connor] We’ve been using a 7D as second camera with our F3 on interview setups and that cuts even better than an EX.
Steve, thanks for that. I’m currently working on a set of interviews shot with one F3 and they did three takes for the CUs, which, as you can probably imagine, caused a whole host of problems.
I had suggested to the producer that for next time we look at inter-cutting with a DSLR, so it’s good to know that someone is already doing that with success.
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[Douglas K. Dempsey] I second your mention of the F3. It is apparently becoming popular in corporate, docu and commercial shoots, and does deliver tremendous image.
Let me chime in here to third the mention of the F3. It’s available now and is a great camera (especially with an external recorder). If you own an EX-series camera already, the two cut well together. When it came out I totally saw the market it for those type of shoots as you mention, Douglas. Not everyone needs 4K (remember, 1080 is practically 2k), and the image holds up under a moderate zoom for re-framing as well.
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If a new Mac Pro comes out, I’d give serious consideration to getting one.
If not, I’ll just upgrade my desktop to some serious specs for native H.264 editing under Premiere CS5.5 (and CS6 whenever it comes out) under Windows 7×64.