[G.a. Kokes]

Hi,

We are also very excited about this camera. As a run and gun tool, one operator, small form factor, 1/2″…Sony really MAKES A compelling argument. I wish that it would do 422 at 50mbs…but then there would be no reason to spend another $8 – 10K in 2-3 years from now, right? I also bet Panasonic will up the ante with a fixed lens 2/3″ version of the HVX200 (HVX300?).

We almost bought into the HPX500, however the XDCAM EX won out.

Now if only our REDs will ship in time… this Dec!

G

Aurora Coast Productions –
HD Video Productions Services & 35mm Cinematography
Drama, Documentary, Commercials and Events NJ & NYC Tri-State Area

[G.a. Kokes]

John,

It is my experience that this camera does benefit from the use of HD over SD glass.

Cheers,
G

Aurora Coast Productions –
HD Video Productions Services & 35mm Cinematography
Drama, Documentary, Commercials and Events NJ & NYC Tri-State Area
https://www.AuroraCoast.com

[G.a. Kokes]

Bob,

I’ll bet the house the SD lenses will be softer then an HD inequivalent. However, as mentioned below, the softer (less resolved) image may work for your application.

We always strive to get the best images recoded, then work from there.

Good luck,
G

Aurora Coast Productions –
HD Video and 35mm Film Production Services
Drama, Documentary, Commercials and Events NJ & NYC Tri-State Area
https://www.AuroraCoast.com

[G.a. Kokes]

Bob,

A “Tru” HD lens will give you an increase in resolution over any of the packaged lenses. Matt is correct in his statement above.

Depending on what you plan on shooting and delivering on, however the packaged lenses may be just fine.

G.A.

Aurora Coast Productions –
HD and 35mm Cinematography –
Drama, Documentary, Commercials and Events NJ/Tri-State Area
– http://www.AuroraCoast.com

[G.a. Kokes]

Peter,

It is my observation that the HPX500 is at its best when using a “true” HD lens.

Good luck.

G.A.

Aurora Coast Productions

HD and 35mm Cinematography

NJ Tri-State Area

http://www.AuroraCoast.com